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FOREWORD

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HEN Elbert Hubbard was storing up in his Scrap Book the fruits of other men's genius, he did not contemplate a volume for publications He was merely gathering spiritual provisions for his own refreshment and delectation

To glance at the pages of his Scrap Book is to realize how far and wide he pursued the quest, into what scented rose gardens of Poetry, and up what steep slopes of Thought. To Alpine Valleys of classical literature it led him, and through forests and swamps of contemporary writing. For him it was the quest that mattered, it was the quest he loved

The Reader will remember Keats' dream of " a very pleasant life."

" I had an idea that a Man might pass a very pleasant life
in this manner: Let him on a certain day read a certain page
of full Poesy or distilled Prose, and let him wander with it,
and muse upon it, and reflect from it, and dream upon it:
until it becomes stale-But when will it do so? Never-
When a man has arrived at a certain ripeness in intellect
any one grand and spiritual passage serves him as a start-
ing-post towards all the 'two-and-thirty Palaces.' How
happy is such a voyage of conception, what delicious, dili-
gent indolence!"

Elbert Hubbard's lifelong labor has placed in all our hands the power
to realize Keats' dream. Here in Hubbard's Scrap Book the Reader
will find "full Poesy" and "distilled Prose," of a pleasing savor to the
tongue and a strangely nourishing relish to the intelligence.
Let the reader browse but a moment and to use Keats' image-he
will find the sails of his soul set for one of those high voyages of the
spirit which give to life its most exalted meaning, and bring back as
cargo the thrice-tried gold of ecstasy and vision.

What inspired Elbert Hubbard should set other pulses to beating. What stimulated and uplifted him should furnish others with strength for the struggle against the eroding sameness of the workaday world. Such at least is the purpose to which the book is dedicated; such is the pious hope of Elbert Hubbard's literary executors.

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HERE is an ancient legend which tells us that when a man first achieved a most notable deed he wished to explain to his tribe what he had done. As soon as

he began to speak, however, he was smitten with dumbness, he lacked words, and sat down. Then there arose-according to the story-a masterless man, one who had taken no part in the action of his fellow, who had no special virtues, but afflictedthat is the phrase-with the magic of the necessary words. He saw, he told, he described the merits of the notable deed in such a fashion, we are assured, that the words "became alive and walked up and down in the hearts of all his hearers." Thereupon, the tribe seeing that the words were certainly alive, and fearing lest the man with the words would hand down untrue tales about them to their children, they took and killed him. But later they saw that the magic was in the words, not in the man.

-Kipling

ELBERT HUBBARD'S SCRAP BOOK

PROVIDENCE-AN APOLOGUE

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HE other evening I was a little late in going down to dinner, and this was the reason: I noticed a number of dead bees lying on the floor of the lookout where I am accustomed to work-a sight that I encounter every spring. The poor things had come in through the open window. When the windows were closed they found themselves prisoners. Unable to see the transparent obstacle, they had hurled themselves against the glass panes on all sides, east, north, south and west, until at last they fell to the floor exhausted, and

died. But, yesterday, I noticed among the bees, a great drone,

much stronger than the bees, who was far from being dead, who, in fact, was very much alive and was dashing himself against the panes with all his might, like the great beast that he was. "Ah! my fine friend," said I, "it would have been an evil day for you had I not come to the rescue. You would have been done for, my fine fellow; before nightfall you would be lying dead, and on coming up-stairs, in the evening with my lamp, I would have found your poor little corpse among those of the other bees." Come, now, like the Emperor Titus I shall mark the day by a good deed: let us save the insect's life. Perhaps in the eyes of God a drone is as valuable as a man, and without any doubt it is more valuable than a prince.

I threw open the window, and, by means of a napkin, began chasing the insect toward it; but the drone persisted in flying in the opposite direction. I then tried to capture it by throwing the napkin over it. When the drone saw that I wished to capture it, it lost its head completely; it bounded furiously against the glass panes, as though it would smash them, took a fresh start, and dashed itself again and again against the glass. Finally it flew the whole length of the apartment, maddened and desperate. "Ah, you tyrant!" it buzzed. " Despot! you would deprive me of liberty! Cruel executioner, why do you not leave me alone? I am happy, and why do you persecute me?"

After trying very hard, I brought it down and, in seizing it with the napkin, I involuntarily hurt it. Oh, how it tried to avenge itself! It darted out its sting; its little nervous body, contracted by my fingers, strained itself with all its strength in an attempt to sting me. But I ignored its protestations, and, stretching my hand out the window, opened the napkin. For a moment the drone seemed stunned, astonished; then it calmly took flight out into the infinite.

Well, you see how I saved the drone. I was its Providence. But (and here is the moral of my story) do we not, stupid drones that we are, conduct ourselves in the same manner toward the providence of God? We have our petty and absurd projects, our small and narrow views, our rash designs, whose accomplishment is either impossible or injurious to ourselves. Seeing no farther than our noses and with our eyes fixed on our immediate aim, we plunge ahead in our blind infatuation, like madmen. We would succeed, we would triumph; that is to say, we would break our heads against an invisible obstacle.

And when God, who sees all and who wishes to save us, upsets our designs, we stupidly complain againstHim, we accuse His Providence. We do not comprehend that in punishing us, in overturning our plans and causing us suffering, He is doing all this to deliver us, to open the Infinite to us. - Victor Hugo.

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T is not possible to have the true pictures or statues of Cyrus, Alexander, Cæsar, no, nor of the kings or great

personages of much later

years; for the originals can not last, and the copies can not but leese of the life and truth. But the images of men's wits and knowledges remain in books, exempted from the

wrong of time, and capable of perpetual renovation

Neither are they fitly to be called images, because

tints are gone, as if the autumnal rains had washed them out. Orange, yellow and scarlet, all are changed to one melancholy russet hues The birds, too, have taken wing, and have left their roofless dwellings. Not the whistle of a robin, not the twitter of an eavesdropping swallow, not the carol of one sweet, familiar voice. All gone. Only the dismal cawing of a crow, as he sits and curses that the harvest is over; or the chit-chat of an idle squirrel, the noisy denizen of a hollow tree, the mendicant friar of a large parish, the absolute monarch of a dozen acorns. -Longfellow.

Serene, I fold my hands and wait,
Nor care for wind nor tide nor sea:
I rave no more 'gainst time or fate,
For, lo! my own shall come to me.

I stay my haste, I make delays:
For what avails this eager pace?
I stand amid the eternal ways,
And what is mine shall know my face.

Asleep, awake, by night or day,
The friends I seek are seeking me;
No wind can drive my bark astray,
Nor change the tide of destiny.

What matter if I stand alone?
I wait with joy the coming years:
My heart shall reap where it has sown,
And garner up the fruit of tears.

they generate still, and cast their seeds in the minds of others, provoking and causing infinite actions and opinions in succeeding ages: so that, if the invention of the ship was thought so noble, which carrieth riches and commodities from place to place, and consociateth the mostremote regions in participation of their fruits, how much more are letters to be magnified, which as ships, pass through the vast sea of time, and make ages so distant to participate of the wisdom, illuminations, and inventions the one of the other?-Francis Bacon.

I

The waters know their own, and draw
The brook that springs in yonder heights.
So flows the good with equal law
Unto the soul of pure delights.

The stars come nightly to the sky,
The tidal wave unto the sea;
Nor time nor space, nor deep nor high,
Can keep my own away from me.

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HAT moods, what passions, what nights of despair and gathering storms of anger, what sudden cruelties and amazing tendernesses are buried and hidden and implied in every love story! What a waste is there of exquisite things! So each spring sees a million glorious beginnings, a sunlit heaven in every opening leaf, warm perfection in every stirring egg, hope and fear and beauty beyond computation in every forest tree; and in the autumn before the snows come they have all gone of all that incalculable abundance of life, of all that hope and adventure, excitement and deliciousness, there is scarcely more to be found than a soiled twig, a dirty seed, a dead leaf, black mould, or a rotting feather. -H. G. Wells.

"Waiting," by John Burroughs

Tis the Indian summer. The rising sun blazes through the misty air like a conflagration. A yellowish, smoky haze fills the atmosphere, and a filmy mist lies like a silver lining on the sky. The wind is soft and low. It wafts to us the odor of forest leaves, that hang wilted on the dripping branches, or drop into the stream. Their gorgeous

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