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of the face upwards or downwards; for when the face is directed downwards, the eyes that look at us must be turned upwards from the position of the face to which they belong; and if to eyes so drawn, an upward cast of features be substituted for the former, the eyes immediately look above us.

From these, and other details given in the paper, the author concludes that the apparent direction of the eyes to or from the spectator, depends upon the balance of two circumstances combined in the same representation, namely, 1. The general position of the face presented to the spectator, 2. The turn of the eyes from that position; and he thence proceeds to inquire why, if the eyes of a portrait look at the spectator placed in front of the picture, they follow him in every other direction. When two objects are seen on the ground at different distances from us in the same direction, one appears and must be represented exactly above the other, so that a vertical plane from the eye would pass through them, and since such a line will be seen upright, however far we move to one side, it follows that the same objects still seem to be in a line with us exactly as in the front view, seeming, as we move, to turn from their first direction.

In portraits, the permanence of direction with reference to the spectator, and corresponding change of its apparent position in space when he moves to either side, depend upon the same principles. The nose drawn in front with its central line upright, continues directed to the spectator, though viewed obliquely; or if the right side of the nose is represented, it must appear directed to the right of the spectator in all situations; and eyes that turn in a due degree from that direction toward the spectator, so as to look at him when viewed in front, will continue to do so when viewed obliquely.

NATURAL HISTORY.

Cuvier lately presented a report to the Academy of Sciences on the state of Natural History, and the increase of our knowl edge in that department since the return of maritime peace, the details of which are peculiarly interesting. Linnæus, in 1778, indicated about eight thousand species

of plants,-M. Decandolle now describes forty thousand, and within a few years they will doubtless exceed fifty thousand. Buffon estimated the number of quadrupeds at about three hundred. M. Desmarets has just enumerated above seven hundred, and he is far from considering this list complete. M. de Lacepède wrote twenty years ago the history of all the known species of fishes; the whole did not amount to one thousand five hundred. The cabinet of the King alone, has now above two thousand five hundred, which, says Cuvier, are but a small proportion of those which the seas and rivers would furnish. We no longer venture to fix numbers for the birds and reptiles; the cabinets are crowded with new species which require to be

classed. Above all, we are confounded at the editors of this new Journal to pursue a the continually increasing number of in- different plan. "It cannot have escaped obsects; it is by thousands that travellers servation," they say, "that the necessity, bring them from the hot climates. The imposed upon writers in Medical Journals, cabinet of the King contains above of attaching their names to communicatwenty-five thousand species; and there tions, very much restricts that latitude of are at least as many more in the various discussion, and freedom of remark, which, cabinets of Europe. The work of M. it is believed, would tend, in a mateStrauss on the May-bug, has just shown rial degree, to advance the interests of that this little body, of an inch in length, medical science. With a view principally has three hundred and six hard pieces, to obviate this defect, the present Journal serving as envelopes, four hundred and has been undertaken. It is not intended, ninety-four muscles, twenty-four pairs of therefore, to interfere with the many re-, nerves, and forty-eight pairs of trachea. spectable Journals already published in this country, but to supply the void caused by their indiscriminate rejection of anonymous articles, however great the ability or ingenuity with which they are recom

COMPARISON OF BAROMETRICAL WITH TRIG

ONOMETRICAL MEASUREMENT.

mended."

NEW MODE OF EXTRACTING POISONS FROM THE STOMACH.

The hill selected for this comparative measurement is situated on the western part of the northern coast of Spitsbergen. A small bay formed by the shore of the mainland to the north-east of the hill, being frozen over, afforded a perfectly level base, Much has been said of the apparatus and corrections for inequality were thus lately applied in Great Britain for the rerendered unnecessary. A polished copper moval of poisons swallowed into the stomcone was fixed upon a staff at the summit ach, and much credit is undoubtedly due of the hill, the apex of which was proposed for the invention and application of the inas the height to be measured; it stood forty-struments used for this purpose. A great four inches above the highest pinnacle of deal may be done in this way to prevent the summit. By the trigonometrical meas- the fatal effects of poison, and the number urement the altitude of the cone was found of instances in which it has been successto be one thousand six hundred and fortyfour feet; and by the barometrical, every precaution being used by the observer to secure an accurate result, it was ascertained to be 1640.07 feet. The experiment was made by Captain Sabine.

VELOCITY OF SOUND.

Some new experiments relating to the velocity of sound have been made in Holland by Drs G. Moll, and A. Van Beck. For these experiments they selected two open and elevated spots in the plains of Utrecht, distinctly visible from each other, and distant about 96.64 fathoms. They measured the interval between seeing the light and hearing the sound of fire arms, by clocks with conical pendulums, which divide the twenty-four hours into two million parts, and one of the indexes of which gives one hundredth part of a decimal second. Each station was also furnished with a good barometer, several accurate thermometers and excellent telescopes, and

the humidity of the air was determined by Daniell's Hygrometer. It appears from their experiments that at the temperature of 32 degrees, the velocity of sound is 1089.7445 English feet per sexagesimal second.

NEW MEDICAL JOURNAL.

fully put in use, upon men as well as animals, is already considerable. To whom, however, the credit of first employing this method is due, will be perceived by the following quotation from Dr Beck's work on Medical Jurisprudence. "Dr Physick of Philadelphia, published a paper in 1812, in which he mentions that he successfully applied the syringe to a child poisoned with laudanum, and Dr Dorsey afterwards cured two individuals by the same treatment. That distinguished surgeon, however, subsequently states, that Dr Alexander Mears, 2d, first suggested the invention in 1797, although he (Dr Physick) was ignorant of this fact when he applied it practically. I conceive Dr Physick is entitled to the honor of having been the first who saved life by its means."

DISTINCTION OF THE KIND OF ELECTRICITY

BY THE TASTE.

Professor Berzelius observes, that posily distinguished by the taste, on making the tive and negative electricity may be readielectric current pass, by means of a point, to the tongue. The taste of the positive electricity is acid, that of the negative is more caustic, and, as it were, alkaline.

SUPPOSED NEW METAL.

The first number of the New York Monthly Chronicle of Medicine and Surge- A description of a supposed new metal ry, was issued in July. It is to be publish- with a specimen, was lately sent to Sir ed on the 15th day of every month, cach Humphrey Davy, called Taschium, from number containing thirty-two pages octa- the mine of Taschio, where it was found. vo. It has been always the custom with The specimen sent was said to be silver writers of original essays in Medical Jour-containing the new metal; the two metals nals, to attach their names to their communications, as if assuming a kind of responsibility for the truth and merit of what they communicate. It is the intention of

having been separated by amalgamation, and the mercury afterwards driven off, on dissolving it in pure nitric acid, it was stated that the Taschium would remain as

a black powder. It was described as being

combustible, with a bluish flame, a peculiar smell, and dissipation of the product.

Upon examination, it was found by Mr Faraday of the Royal Institution, that the Taschium in this specimen was nothing but Iron!

LUMINOUS POWER OF THE LAMPYRIDES.

The luminous power of these insects has been ascertained, by Dr T. J. Todd, to reside in a peculiar matter of an adhesive, semitransparent, granulated texture. The longest period during which Dr Todd has observed the organ to continue luminous after separation from the animal, is twenty minutes, and it continues to shine in media of very different properties, in vacuo, under mercury, in water, and in oil. The light is re-excited by certain irritants; by heat and cold, by friction, and by galvanism, by alcohol, camphor, and ammonia. In the living animal also, mechanical and chemical stimulants excite the appearance of the light, provided they do not disorganize the part. When the animals are killed by alcohol, tincture of hellebore, or nux vomica, and certain other poisons, after all light and life have ceased, another fixed and steady light appears in the organ, varying in duration from twelve hours to four days. From the general results of his observations, Dr Todd concludes that the luminous powers of these insects are exclusively referrible to vital action, and that their use has not been accurately ascertained, though probably connected with sexual distinction.

All publishers of books throughout the United States, are very earnestly requested to forward to us, regularly and seasonably, the names of all works of every kind, preparing for publication, in the press, or recently published. As they will be inserted in the Gazette, it is particularly desired that the exact titles be stated at length.

We have just learned from our printers that the publication of this number will be somewhat retarded. Wednesday and Thursday were lost by the celebration of Commencement and the Q. B. K. anniversary; the review on Monday will call most of their workmen to Boston; and the confusion incident to such occasions may probably affect the work of other days.

As these circumstances render some delay unavoidable, we hope our readers will receive them as a sufficient apology. EDITOR. August 28.

ADVERTISEMENTS.

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GENERAL LA FAYETTE. Also, A Letter from a Blacksmith to the Ministers and Elders of the Church of Scotland; in which the manner of Public Worship in that Church is considered; its Inconsistency and Defects pointed out, and Methods for removing them humbly proposed. Eccl. v. 2.-1 Cor. xix. 15.

SCHOOL BOOKS.

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Vetus Testamentum ex Versione Septuaginta Interpretum Secundum exemplar Vaticanum Romæ Editum. Accedunt Varia Lectiones e codice Alexandrino, necnon Introductio, J. B. Carpzovii. Oxonii, E Typographeo Clarendoniano. calf.

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chael, comprising an account of its Geological Structure; with remarks on the other Azores or Western Islands. Originally communicated to the Linnæan Society of New England. By John W. Webster, M. D. Cor. Sec. L. S. N. E. With 6 Copper Plates. 8vo. pp. 244.

The American Edition of the New Edinburgh Encyclopædia, conducted by David Brewster, LL. D. Fellow of the Royal Society of Edinburgh, and of the Society of Antiquaries of Scotland, assisted by upwards of one hundred gentlemen in Europe, most eminent in science and literature; and now improved, for the greater satisfaction and better information of the people of the United States, in the civil, religious, and natural history of their country; in American Biography; and in the great discoveries in Mechanics and the Arts. Published by E. Parker, Philadelphia. No. 20, Vol. 15, Part 2, PAT-POL, now published, for sale by R. P. & C. Williams, Boston, and by the other agents.

Lives of the Ancient Philosophers; translated from the French of Fenelon, with Notes, and a Life of the Author. By the Rev. John Cormack, M. A. First American edition, revised and corrected. Published 1824.

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CUMMINGS, HILLIARD, & Co. HAVE just received from France and Germany, seventeen cases of BOOKS, most of them very valuable and rare, and the price low. Among them are the following.

Waltoni (Briani) Biblia Sacra Polyglotta, (Hebr. Samar. Græc. Syriac. Chald. Ethiop. Persic. et Vulg. Lat.) Lond. 1657. 6 vols. fol. Well bound and in excellent order. [This is the most valuable of the Polyglotts, and has never yet been superseded.]

tion of 1660.]

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VOL. I.
BOSTON, SEPTEMBER 15, 1824.

REVIEWS.

Tales of a Traveller, Part I. By Geoffrey Crayon, Gent. Author of the "Sketch Book," "Bracebridge Hall," " Knicker bocker's New York," &c. Philadelphia. 1824. 8vo. pp. 166.

WHILE Mr Irving wrote Salmagundi and Knickerbocker, he was learning to write. He was not only, to use a common phrase, forming his style, but acquiring just notions of the strength and nature of his powers, ascertaining what he could and what he could not do, and thus, what he could wisely and safely attempt. We suppose that his next work, the Sketch Book, was written in exact conformity with his own idea of what he could do best;-and perhaps no work of elegant letters ever won for its author more sudden and extended popularity. But while the critics every where admitted that Mr Irving told good stories delightfully, they were so true to the calling as to insist that he did not know so well as they what paths in the great field of literature it was best for him to pursue. His sketches and tales were disconnected and did not help each other; the numbers of this work did not appear to constitute so much of a book as they in fact did, because they appeared separately. Still they were so captivating, they proved so clearly that Geoffrey Crayon possessed uncommon powers, interesting and gratifying all classes of readers, his critics in the most friendly manner advised him to try his hand at something else ;-inasmuch as his absolute success in the course he had chosen was proof positive that he would do well to leave it. His powers, said they, are cramped by the narrowness of the subjects on which they are exerted; his imagination wants elbow room; his canvass is so scanty that his finest figures are stinted in their porportions or thrust into corners; enlarge his sphere of intellectual action and his mind will expand with it; give him subjects which can draw him out fully, and he will exhibit more strength, grace, and beauty of intellect than he yet has credit for. Unfortunately-for the subjects he had chosen, and his mode of treating them, were exactly the best adapted to his best powers, these intimations were so far regarded as to bring before the public Bracebridge Hall; which is weakened from beginning to end by the endeavour to give it the consistency and identity of a single work. Moreover, the critics found out that in parts of the Sketch Book, and a large part of Knickerbocker, Mr Irving came near running wild; they thought he imposed too

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No. 11.

little restraint upon his fine fancy and ex- of living or inanimate nature,—and to quisite humour, and bade him be more measure the excellence of an author rathcareful in future, under penalty of a whip-er by his power, vivacity, and originality in ping. Accordingly he became more care-thinking, than by the beautiful flow, the ful;-and but few things occur in the Hall measured cadences, or the skilful choice to startle one with excessive strangeness. of words. But, while we are ready with our Still we can hardly regret that Mr Irving tribute of praise to Mr Irving's fine sense, tried the experiment of subjecting his pow-fine taste, and finer fancy, we cannot but ers to the taste of others; because, trust- think that his reputation rests quite as much ing to the testimony of this first part of a upon his exquisite manner. While we read Traveller's Tales, we believe he has gained the best of his works, we feel that we are wisdom enough out of the comparative fail- with a sensible man, an accomplished scholure of his last work, to prevent his failing ar, and a most skilful writer; but he seems again from the same error, to wit, that of to belong rather to the last age, when it following foolish advice. We do not mean was considered a matter of much more moto suggest to Mr Irving to make no changes ment than in the present, that the dress whatever, and write on to the end of his which the thoughts put on should adorn days just as he has written,-for we would them. Very few living authors are in such not follow the example we reprobate,-but favour with so large a public, as Mr Irving; we would express the hope, that in future but of these few not one has achieved this he will rely upon his own knowledge of his success, without exhibiting more power,-a own intellect. stronger and a wider grasp of mind.

We think this first number of the Tales will be very acceptable to the public. The frame in which the pictures are set is extremely well devised and executed. A hunting dinner is followed by a storm, which shuts up a great variety of people within the Hall of a worthy fox-hunting Baronet. Pleasant conversation and pleasant stories enliven the supper table; and one of the guests,-the Traveller himself whose tales Mr Crayon relates,-sleeps or tries to sleep in a kind of haunted chamber, which gives occasion to the last and best tale. We suppose that Boccaccio exhibited this mode of stringing stories together in his Decamerone, for the first time, and the fashion has been worn out in Italy by his imitators. We recollect no attempt to introduce it into English literature since the days of Spenser; but Mr Irving's success will probably bring upon him a crowd of followers.

Mr Irving, as an elegant writer, has no rival, and scarcely a competitor, in this country. He has certainly done more than any other to make us respectable abroad, as a literary people, but we think he has advanced our national reputation for scholarship and talent chiefly, by directing the attention of others upon us: by persuading them that we may produce something here worth looking after. It is difficult to define with any exactness the character which our infant literature bears, or to predict what character it will bear; but it is easy to assure one's self that it has and will have little accordance with Mr Irving's production; and he is felt by every one, at home and abroad, not to belong, in his writings, to this country. It can hardly be thought excessive boasting to assert, that the genius of Americans is as strong as that of others, and we are borne out by reasons too obvious to need a more particular recital, in supposing that it will be some- The first story is the "Adventure of My what rash, enterprising, forgetful of the Uncle"-and it is a quiz of a ghost story, majesty of criticism, and regardless of arti- located in France. Just at the interesting ficial rules, venerable precedents, and obso- moment, the story ends with an emphatic lete things in general. Before long, it is Bah! uttered by a French marquis; in probable that many men of talent will which the readers will be very apt to join. write well on this side of the Atlantic; but The second, the " Adventure of My Aunt," we think a successful American author is a sort of pendant to the first, and is rathwill much oftener exhibit an active, power-er common-place. The third, "The Bold ful, and original mind, than one which Dragoon," is excellent; full of fine fun and books or masters have thoroughly taught merriment. We would just remark, in and trained. Indeed, Mr Irving seems, in passing, that if Mr Geoffrey Crayon is not his literary character, not only alien to our a thought more careful, the more recondite country, but opposed to the spirit of the meaning of his double entendres will beage. The world is getting to be very prac- come a little too apparent; in some instances tical,-to regard the meaning somewhat it already lies somewhat nearer the surface more than the manner of an author-to than is altogether desirable. The sketches demand directness and energy in thought of the "Mysterious Picture" and the " Mysand expression, and truth in the description terious Stranger" are very good; but their

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principal use is in bringing out from the Baronet the "Story of the Young Italian." This is the last in the number; and we will endeavour to extract from it enough to give our readers a just idea of its character.

I was born at Naples. My parents, though of noble rank, were limited in fortune, or rather my father was ostentatious beyond his means, and expended so much in his palace, his equipage, and his retinue, that he was continually straightened in his pecuniary circumstances. I was a younger son, and looked upon with indifference by my father, who, from a principle of family pride, wished to leave all his property to my elder brother.

from the dry studies and monotonous duties of the
cloister. In a little while I became expert with
my pencil, and my gloomy productions were thought
worthy of decorating some of the altars of the
chapel.

At length he grew intolerably disgusted
with a conventual life, and fled from it to
his father's house. He was received coldly,
and to avoid being sent back again, fled to
Genoa. He concealed his name and rank;
and lived there with a painter of eminence,
who, struck by his uncommon talents, re-
ceived him into his family and taught him

his art.

I showed, when quite a child, an extreme sensibility. Every thing affected me violently. While Among the various works which he had underyet an infant in my mother's arms, and before I had taken, was an historical piece for one of the pallearnt to talk, I could be wrought upon to a won-aces of Genoa, in which were to be introduced the derful degree of anguish or delight by the power of likenesses of several of the family. Among these music. As I grew older my feelings remained was one entrusted to my pencil. It was that of a equally acute, and I was easily transported into young girl, who as yet was in a convent for educaparoxysms of pleasure or rage. It was the amuse- tion. She came out for the purpose of sitting for inent of my relatives and of the domestics to play the picture. I first saw her in an apartment of one upon this irritable temperament. I was moved to of the sumptuous palaces of Genoa. She stood tears, tickled to laughter, provoked to fury, for the before a casement that looked out upon the bay: a entertainment of company, who were amused by stream of vernal sunshine fell upon her, and shed such a tempest of mighty passion in a pigmy frame. a kind of glory round her as it lit up the rich crimThey little thought, or perhaps little heeded the son chamber. She was but sixteen years of age dangerous sensibilities they were fostering. I thus --and oh how lovely! The scene broke upon me became a little creature of passion, before reason like a mere vision of spring, and youth, and beauwas developed. In a short time I grew too old to ty I could have fallen down and worshipped her. be a plaything, and then I became a torment. The She was like one of those fictions of poets and tricks and passions I had been teased into became painters, when they would express the beau ideal irksome, and I was disliked by my teachers for the that haunts their minds with shapes of indescribavery lessons they had taught me. ble perfection.

My mother died; and my power as a spoiled child was at an end. There was no longer any necessity to humour or tolerate me, for there was nothing to be gained by it, as I was no favourite of my father. I therefore experienced the fate of a spoiled child in such situation, and was neglected, or noticed only to be crossed and contradicted. such was the early treatment of a heart, which, if I am judge of it at all, was naturally disposed to the extremes of tenderness and affection.

My father, as I have already said, never liked me-in fact he never understood me; he looked upon me as wilful and wayward, as deficient in natural affection:-it was the stateliness of his own manner, the loftiness and grandeur of his own look, that had repelled me from his arms. I always pictured him to myself as I had seen him clad in his senatorial robes, rustling with pomp and pride. The magnificence of his person had daunted my strong imagination. I could never approach him with the confiding affection of a child.

tion.

I was permitted to sketch her countenance in various positions, and I fondly protracted the study that was undoing me. The more I gazed on her the more I became enamoured; there was something almost painful in my intense admiraI was but nineteen years of age; shy, diffident, and inexperienced. I was treated with attention and encouragement, for my youth and my enthusiasm in my art had won favour for me; and I am inclined to think that there was something in my air and manner that inspired interest and respect. Still the kindness with which I was treated could not dispel the embarrassment into which my own imagination threw me when in the presence of this lovely being. It elevated her into something almost more than mortal. She seemed too exquisite for earthly use; too delicate and exalted for human attainment. As I sat tracing her charms on my canvass, with my eyes occasionally rivetted on her features, I drank in delicious poison that made me giddy. My heart alternately gushed with ten derness, and ached with despair. Now I became more than ever sensible of the violent fires that had lain dormant at the bottom of my soul. You who are born in a more temperate climate and under a cooler sky, have little idea of the violence of passion in our southern bosoms.

My father's feelings were wrapped up in my elder brother. He was to be the inheritor of the family title and the family dignity and every thing was sacrificed to him-I, as well as every thing else. It was determined to devote me to the church, so that my humours and myself might be removed out of the way, either of tasking my A few days finished my task; Bianca returned father's time and trouble, or interfering with the in-to her convent, but her image remained indelibly terests of my brother. At an early age, therefore, impressed upon my heart. It dwelt on my imagibefore my mind had dawned upon the world and its nation; it became my pervading idea of beauty. delights, or known any thing of it beyond the pre-It had an effect even upon my pencil; I became cincts of my father's palace, I was sent to a con- noted for my felicity in depicting female loveliness; vent, the superior of which was my uncle, and was it was but because I multiplied the image of Bianca. I soothed, and yet fed my fancy, by introducconfided entirely to his care. **** One of the monks had been a painter, but hading her in all the productions of my master. retired from the world, and embraced this dismal life in expiation of some crime. He was a melancholy man, who pursued his art in the solitude of his cell, but made it a source of penance to him. His employment was to portray, either on canvass or in waxen models, the human face and human form, in the agonies of death, and in all the stages of dissolution and decay. The fearful mysteries of the charnelhouse were unfolded in his labours-the loathsome banquet of the beetle and the worm.I turn with shuddering even from the recollection

of his works. Yet, at the time, my strong but illdirected imagination seized with ardour upon his instructions in his art. Any thing was a variety

I

have stood with delight in one of the chapels of
the Annunciata, and heard the crowd extol the se-
raphic beauty of a saint which I had painted; I
have seen them bow down in adoration before the
painting; they were bowing before the loveliness

of Bianca.

pearance, and facinating in his manners; he attached himself to me, and seemed to court my good opinion. I thought there was something of profession in his kindness, and of caprice in his disposition; but I had nothing else near me to attach myself to, and my heart felt the need of something to repose itself upon. His education had in mental powers and acquirements, and tacitly acbeen neglected; he looked upon me as his superior knowledged my superiority. I felt that I was his equal in birth, and that gave an independence to my manner, which had its effect.

I had not been long under the roof of the Count, habitant. It was a daughter of a relation of the when our solitude was enlivened by another inCount, who had lately died in reduced circumstances, bequeathing this only child to his protection. I had heard much of her beauty from Filippo, but my fancy had become so engrossed by one idea of beauty as not to admit of any other. We were in the central saloon of the villa when she arrived. She was still in mourning, and approached, leaning on the Count's arm. As they ascended the marble portico, I was struck by the elegance of her figure and movement, by the grace with which the mezzaro, the bewitching veil of Genoa, was folded about her slender form. They entered. Heavens! what was my surprise when I beheld Bianca before me. It was herself; pale with grief; but still more matured in loveliness than when I had last behield her.

The time that had elapsed had developed the graces of her person; and the sorrow she had undergone had diffused over her countenance an irresistible tenderness.

She blushed and trembled at seeing me, and tears rushed into her eyes, for she remembered in whose company she had been accustomed to behold me. For my part, I cannot express what were my emotions. By degrees I overcame the extreme shyness that had formerly paralyzed me in her pres

ence.

We were drawn together by sympathy of situation. We had each lost our best friend in the world; we were each, in some measure, thrown upon the kindness of others. When I came to know her intellectually, all my ideal picturings of her were confirmed. Her newness to the world, her delightful susceptibility to every thing beautiful and agreeable in nature, reminded me of my own emotions when first I escaped from the convent. Her rectitude of thinking delighted my judgment; the sweetness of her nature wrapped itself round ny heart; and then her young and tender and budding loveliness, sent a delicious madness to my brain.

I gazed upon her with a kind of idolatry, as something more than mortal; and I felt humiliated at the idea of my comparative unworthiness. Yet she was mortal; and one of mortality's most susceptible and loving compounds; for she loved me!

We

How first I discovered the transporting truth I cannot recollect; I believe it stole upon me by degrees, as a wonder past hope or belief. were both at such a tender and loving age; in constant intercourse with each other; mingling in the same elegant pursuits; for music, poetry, and painting were our mutual delights, and we were almost separated from society, among lovely and romantic scenery! Is it strange that two young hearts thus brought together should readily twine round each other? *

I was the first to awaken from this blissful delirrium of the affections. I had gained Bianca's heart; what was I to do with it? I had no wealth nor prospects to entitle me to her hand. Was I to take advantage of her ignorance of the world, of her confiding affection, and draw her down to my own poverty? Was this requiting the hospitality of the Count?-was this riquiting the love of

Bianca ?

He lived thus for a year and then his The struggle of my mind preyed upon my hapmaster died; and he was thrown upon the piness and iny health. It seemed as if the uncerpatronage of a wealthy nobleman who wish-tainty of being loved would be less intolerable ed to be thought a lover and encourager of

the arts.

than thus to be assured of it, and yet not dare to enjoy the conviction. I was no longer the enraptured admirer of Bianca; I no longer hung in ecI found at the villa the Count's only son Filippo: tacy on the tones of her voice, nor drank in with he was nearly of my age, prepossessing in his ap-insatiate gaze the beauty of her countenance. Her

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