Triumphs of Ancient Architecture: Greece and Rome |
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Page 19
... frieze were represented the numer- ous battles in which she had secured the victory for the chosen people ; and on the marble balus- trade which encircled the edifice were pictured a troop of personified Victorys , winged messengers who ...
... frieze were represented the numer- ous battles in which she had secured the victory for the chosen people ; and on the marble balus- trade which encircled the edifice were pictured a troop of personified Victorys , winged messengers who ...
Page 25
... frieze from the architrave , and some of those of the cornice . To understand the admiration which this build- ing has always excited , the reader must picture to himself its richly - coloured pediments and white gleaming columns ...
... frieze from the architrave , and some of those of the cornice . To understand the admiration which this build- ing has always excited , the reader must picture to himself its richly - coloured pediments and white gleaming columns ...
Page 32
... frieze represents the battle of Mara- thon , and another the struggles between the Centaurs and the Lapitha . The whole building was covered by a pediment roof , which is now destroyed . The Temple of Theseus possessed the peculiar ...
... frieze represents the battle of Mara- thon , and another the struggles between the Centaurs and the Lapitha . The whole building was covered by a pediment roof , which is now destroyed . The Temple of Theseus possessed the peculiar ...
Page 37
... frieze is wrought with well- executed figures in representation of the old myth of Bacchus and the Tyrrhenian pirates . Each is formed of one block of marble , cut in the form of a ring . There is no entrance to the building , nor any ...
... frieze is wrought with well- executed figures in representation of the old myth of Bacchus and the Tyrrhenian pirates . Each is formed of one block of marble , cut in the form of a ring . There is no entrance to the building , nor any ...
Page 50
... frieze represent a procession of warriors leading oxen to the sacrifice ; on the keystone is the figure of a Roman warrior , nearly perfect . On the attic , he who runs may read the original inscription , showing , by the introduction ...
... frieze represent a procession of warriors leading oxen to the sacrifice ; on the keystone is the figure of a Roman warrior , nearly perfect . On the attic , he who runs may read the original inscription , showing , by the introduction ...
Other editions - View all
Triumphs of Ancient Architecture: Greece and Rome (1866) William Henry Davenport Adams No preview available - 2009 |
Triumphs of Ancient Architecture: Greece and Rome William Henry Davenport Adams No preview available - 2009 |
Triumphs of Ancient Architecture: Greece and Rome [Signed W.H.D.A.] William Henry Davenport Adams No preview available - 2016 |
Common terms and phrases
Acropolis admiration adorned Agrigentum Amphitheatre ancient antiquity arch ARCH OF TITUS architect architecture architrave arena ashes Athenian Athens Attic bas-reliefs base Basilica beauty breadth building built Byron Cæsar called capitals Capitoline Hill cella century Choragic Monument Church Coliseum coloured Corinthian Corinthian order decoration destroyed diameter divine Domitian Doric earth edifice elevated Emperor entablature Erechtheum erected eruption façade famous feet high fluted Forum frieze front Gate genius Girgenti glorious glory grace Greece Greek height Herculaneum hexastyle hills honour inscription Ionic Order Jupiter light magnificent memorial Minerva noble numerous ornament Pæstum Pantheon Parthenon pedestal pediment peripteral peristyle Phidias placed Pompeii portico Propylæa rock Roman Rome roof ruins sacred scene sculptures Segeste Selinunte Septimius Severus Sicily side six columns stands statue stone stood Street style summit tecture Temple of Segeste Temple of Theseus Tibur Titus tomb Trajan Trajan's Column travertine ture vestibule Vesuvius Victory walls wealth white marble
Popular passages
Page 14 - tis haunted, holy ground, No earth of thine is lost in vulgar mould, But one vast realm of wonder spreads around, And all the Muse's tales seem truly told, Till the sense aches with gazing to behold The scenes our earliest dreams have dwelt upon: Each hill and dale, each deepening glen and wold Defies the power which crush'd thy temples gone: Age shakes Athena's tower, but spares gray Marathon.
Page 54 - Midst the chief relics of almighty Rome; The trees which grew along the broken arches Waved dark in the blue midnight, and the stars Shone through the rents of ruin...
Page 56 - twere anew, the gaps of centuries ; Leaving that beautiful which still was so, And making that which was not, till the place Became religion, and the heart ran o'er With silent worship of the great of old!
Page 49 - The time is come. See how he points his eager hand this way! See how his eyes gloat on thy grief, like a kite's upon the prey ! With all his wit, he little deems, that, spurned, betrayed, bereft, Thy father hath in his despair one fearful refuge left. He little deems that in this hand I clutch what still can save Thy gentle youth from taunts and blows, the portion of the slave ; Yea, and from nameless evil, that passeth taunt and blow— Foul outrage which thou know'st not, which thou shalt never...
Page 58 - Hesperides, and was afterwards broken into the rocks and caverns of Thrace. The subterraneous pipes conveyed an inexhaustible supply of water, and what had just before appeared a level plain might be suddenly converted into a wide lake, covered with armed vessels, and replenished with the monsters of the deep.
Page 54 - Gladiator's bloody Circus stands, A noble wreck in ruinous perfection ! While Caesar's chambers, and the Augustan halls, Grovel on earth in indistinct decay.
Page 115 - Nothing then was to be heard but the shrieks of women, the screams of children, and the cries of men ; some calling for their children, others for their parents, others for their husbands, and only distinguishing each other by their voices ; one lamenting his own fate, another that of his family ; some wishing to die from the very fear of dying ; some lifting their hands to the gods ; but, the greater part imagining that the last and eternal night was come, which was to destroy the gods and the world...
Page 49 - Blest and thrice blest the Roman Who sees Rome's brightest day, Who sees that long victorious pomp Wind down the Sacred Way, And through the bellowing Forum, And round the Suppliant's Grove, Up to the everlasting gates Of Capitolian Jove.
Page 69 - And when all beheld Him, where he lay, how changed from yesterday, Him in that hour cut off, and at his head His last great work ; when, entering in, they looked...
Page 73 - Every day the astonished Senate received the intelligence of new names and new nations that acknowledged his sway.