Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 231
... tion in 1605 of Henry VIII and his famous jester Will Summers , who in this rendering is an iconoclastic , egali ... tion they sought . In 1606 a confutation of their Supplica- tion was printed ( together with the text ) and thereafter ...
... tion in 1605 of Henry VIII and his famous jester Will Summers , who in this rendering is an iconoclastic , egali ... tion they sought . In 1606 a confutation of their Supplica- tion was printed ( together with the text ) and thereafter ...
Page 348
... tion permanent ; it enables Troilus to move from the posi- tion of trusting infant - or weeping woman - into ruthless manhood . He manages this transformation before our eyes , in response to Cressida's betrayal : Troil . The fragments ...
... tion permanent ; it enables Troilus to move from the posi- tion of trusting infant - or weeping woman - into ruthless manhood . He manages this transformation before our eyes , in response to Cressida's betrayal : Troil . The fragments ...
Page 391
... tion of " preposterous venery " with other kinds of inversion and disorder pervades The Deplorable Life and Death of Ed- ward the Second , King of England ( London : 1628 ) , esp . st . 17 : " Never did Princes more preposterate / Their ...
... tion of " preposterous venery " with other kinds of inversion and disorder pervades The Deplorable Life and Death of Ed- ward the Second , King of England ( London : 1628 ) , esp . st . 17 : " Never did Princes more preposterate / Their ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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