Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 44
... suggests that , for Shakespeare in A Midsummer Night's Dream , the true artistic voice en- tails utterances that allow for crucial imaginative play be- tween speaker and auditor , a space in which the listener can create pleasurable ...
... suggests that , for Shakespeare in A Midsummer Night's Dream , the true artistic voice en- tails utterances that allow for crucial imaginative play be- tween speaker and auditor , a space in which the listener can create pleasurable ...
Page 83
... suggests that it was exactly this reflection of his own love for the aristocratic young man that drew Shake- speare in the first place to Boccaccio's story of suffering intensity in a lover lower in class than the beloved . From this ...
... suggests that it was exactly this reflection of his own love for the aristocratic young man that drew Shake- speare in the first place to Boccaccio's story of suffering intensity in a lover lower in class than the beloved . From this ...
Page 117
... suggest that behind it stood authorial foul papers , however , but a scribal transcription . The clean printed text suggests that there was more to changing the text than changing the names , that the foul papers had grown so foul in ...
... suggest that behind it stood authorial foul papers , however , but a scribal transcription . The clean printed text suggests that there was more to changing the text than changing the names , that the foul papers had grown so foul in ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York