Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 163
... relation between popular re- volt and the public theater , it was , these various accounts seem to reply , a relation of intense and unremitting hostili- ty . But hostility is itself a form of relation , one no less sig- nificant than ...
... relation between popular re- volt and the public theater , it was , these various accounts seem to reply , a relation of intense and unremitting hostili- ty . But hostility is itself a form of relation , one no less sig- nificant than ...
Page 406
... relation to love - theme 5 : 103 relation to pastoral convention 5 : 61 , 63 , 65 , 79 , 93 , 98 , 114 , 118 relation to Shakespeare 5 : 35 , 50 , 154 Seven Ages of Man speech ( II . vii . 139- 66 ) 5 : 28 , 52 , 156 as a superficial ...
... relation to love - theme 5 : 103 relation to pastoral convention 5 : 61 , 63 , 65 , 79 , 93 , 98 , 114 , 118 relation to Shakespeare 5 : 35 , 50 , 154 Seven Ages of Man speech ( II . vii . 139- 66 ) 5 : 28 , 52 , 156 as a superficial ...
Page 420
... relation of 7 : 377 , 381 , 397 , 419 , 452 audience perception , Shakespeare's manip- ulation of 7 : 394 , 429 , 456 , 483 , 501 ; 13 : 417 ; 19 : 401 , 431 , 441 autobiographical elements 7 : 395 , 397 , 410 , 419 Autolycus 7 : 375 ...
... relation of 7 : 377 , 381 , 397 , 419 , 452 audience perception , Shakespeare's manip- ulation of 7 : 394 , 429 , 456 , 483 , 501 ; 13 : 417 ; 19 : 401 , 431 , 441 autobiographical elements 7 : 395 , 397 , 410 , 419 Autolycus 7 : 375 ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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