Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 15
... position of pursuit , of doing the representing , and women in the static position of being represented . III In the opening scene of the play , the King and his lords position their mutual desire for " fame " and " honor " as dependent ...
... position of pursuit , of doing the representing , and women in the static position of being represented . III In the opening scene of the play , the King and his lords position their mutual desire for " fame " and " honor " as dependent ...
Page 16
... position , that is to say , a position of spec- ular and discursive control . Once again , the Petrarchan model is informative : as Vickers points out , the lover's " description , at one remove from his experience , safely permits and ...
... position , that is to say , a position of spec- ular and discursive control . Once again , the Petrarchan model is informative : as Vickers points out , the lover's " description , at one remove from his experience , safely permits and ...
Page 129
... position in part by emphasising the king's obligations and indebtedness to a local , temporal and human realm . 3 The Rhetoric of Obedience In addition to the treatment which both The Troublesome Raigne and King John give to issues of ...
... position in part by emphasising the king's obligations and indebtedness to a local , temporal and human realm . 3 The Rhetoric of Obedience In addition to the treatment which both The Troublesome Raigne and King John give to issues of ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York