Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 272
... nature ' and ' natural ' , together with the contrast ( discussed at length by Danby in Shake- speare's Doctrine of Nature , 1949 ) between the two main meanings which run through the play and are in evidence particularly in the ...
... nature ' and ' natural ' , together with the contrast ( discussed at length by Danby in Shake- speare's Doctrine of Nature , 1949 ) between the two main meanings which run through the play and are in evidence particularly in the ...
Page 316
... nature , Pericles calls her face ' the book of praises ' ( line 15 ) . That the same woman should evoke both nature as woman and as artifact containing the writ- ten word is consistent with a culture that can personify na- ture as a ...
... nature , Pericles calls her face ' the book of praises ' ( line 15 ) . That the same woman should evoke both nature as woman and as artifact containing the writ- ten word is consistent with a culture that can personify na- ture as a ...
Page 319
... Nature's own shape of bud , bird , branch , or berry , That even her art sisters the natural roses . ( act V chorus ... nature and art , for that term , deriving from a Greek word meaning ' knowledge of nature , ' can signify ' natural ...
... Nature's own shape of bud , bird , branch , or berry , That even her art sisters the natural roses . ( act V chorus ... nature and art , for that term , deriving from a Greek word meaning ' knowledge of nature , ' can signify ' natural ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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