Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 124
... issue of the scene is not which broth- er has the right to inherit , but whether or not Philip is a bastard . If his contamination can be exposed , then he loses and the other brother wins . Thus the question is put first to the mother ...
... issue of the scene is not which broth- er has the right to inherit , but whether or not Philip is a bastard . If his contamination can be exposed , then he loses and the other brother wins . Thus the question is put first to the mother ...
Page 126
... issue of the various grounds on which authority may rest are immediately brought into the play . In the first exchanges , those between John and Chatillon , at issue is the matter of succession as well as the relative authority of a ...
... issue of the various grounds on which authority may rest are immediately brought into the play . In the first exchanges , those between John and Chatillon , at issue is the matter of succession as well as the relative authority of a ...
Page 127
... issue were conducted by ministers and within the context of the debate over forms of church gov- ernment , but the jure divino issue was also important to proponents of mixed government , to lawyers and mem- bers of parliament , who saw ...
... issue were conducted by ministers and within the context of the debate over forms of church gov- ernment , but the jure divino issue was also important to proponents of mixed government , to lawyers and mem- bers of parliament , who saw ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York