Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 60
... identity as more genuine than the identity imposed by a cultural order ; Hegel's teleology of the state and Lacan's omnipresence of the Symbolic Order make the Aristophanic myth of perfect complementariness sheer fantasy . Lacan never ...
... identity as more genuine than the identity imposed by a cultural order ; Hegel's teleology of the state and Lacan's omnipresence of the Symbolic Order make the Aristophanic myth of perfect complementariness sheer fantasy . Lacan never ...
Page 159
... identity . It made the low the pa- trons of the high . " Some fatal fire hath scorched our for- tune's wing , " lament the Parnassus gentlemen , “ And still we fall , as we do upward spring . " Vertical polarities gov- ern their ...
... identity . It made the low the pa- trons of the high . " Some fatal fire hath scorched our for- tune's wing , " lament the Parnassus gentlemen , “ And still we fall , as we do upward spring . " Vertical polarities gov- ern their ...
Page 355
... identity of desire and the despoiled and complex fragmentation of identity in reality " [ " Cressida , Achilles , and the Finite Deed , " Études Anglaises 20 ( 1967 ) : 233 ] . ) Annihilation is figured most powerfully in Ulysses's ...
... identity of desire and the despoiled and complex fragmentation of identity in reality " [ " Cressida , Achilles , and the Finite Deed , " Études Anglaises 20 ( 1967 ) : 233 ] . ) Annihilation is figured most powerfully in Ulysses's ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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