Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
From inside the book
Results 1-3 of 81
Page 378
... follow him as a subordinate or sequel rather than the other way around.3 I begin with the " prepost'rous event " from which so much follows in this early play not just because it sets up a series " 4 of sequels within the play itself ...
... follow him as a subordinate or sequel rather than the other way around.3 I begin with the " prepost'rous event " from which so much follows in this early play not just because it sets up a series " 4 of sequels within the play itself ...
Page 385
... follows " in Henry's " most memorable line " ( as Exeter puts it in 2.4.88 ) — iterated in the resonant " Follow , follow ! " of the Chorus to Act 3 and parodically echoed in Bardolph's “ On , on , on , on , on ! " ( 3.2.1 ) -exposes ...
... follows " in Henry's " most memorable line " ( as Exeter puts it in 2.4.88 ) — iterated in the resonant " Follow , follow ! " of the Chorus to Act 3 and parodically echoed in Bardolph's “ On , on , on , on , on ! " ( 3.2.1 ) -exposes ...
Page 386
... follow " so rarely does ; through a sequence of scenes , neither Aristotelian nor causative , in which very little follows logically or " naturally " from what went be- fore ; and through the collapsed sequiturs of incest through which ...
... follow " so rarely does ; through a sequence of scenes , neither Aristotelian nor causative , in which very little follows logically or " naturally " from what went be- fore ; and through the collapsed sequiturs of incest through which ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
26 other sections not shown
Other editions - View all
Common terms and phrases
Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York