Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 143
... fear in other men ? Wherein thou art less happy being fear'd Than they in fearing . ( IV.1.230-35 ) The metrical shortening of the last line places a heavy em- phasis upon " fearing . " Under a tyrannical rule men can fulfill themselves ...
... fear in other men ? Wherein thou art less happy being fear'd Than they in fearing . ( IV.1.230-35 ) The metrical shortening of the last line places a heavy em- phasis upon " fearing . " Under a tyrannical rule men can fulfill themselves ...
Page 144
... fear " in the exchange with Mountjoy . The word - play may go unnoticed unless one recalls that in Elizabethan English the vowel in the word was still close to the sound in Middle English fer : MOUNTJOY . And so fare the well ; Thou ...
... fear " in the exchange with Mountjoy . The word - play may go unnoticed unless one recalls that in Elizabethan English the vowel in the word was still close to the sound in Middle English fer : MOUNTJOY . And so fare the well ; Thou ...
Page 149
... fear it ? Caesar is also a victim of this fear . Waking after the stormy night , he is moved to order a sacrifice in an effort to know the meaning of the storm . Even he surrenders to the fearfulness that the tribunes sense in Rome at ...
... fear it ? Caesar is also a victim of this fear . Waking after the stormy night , he is moved to order a sacrifice in an effort to know the meaning of the storm . Even he surrenders to the fearfulness that the tribunes sense in Rome at ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York