Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 21
... example , love is “ an insatiate thirst of enjoying a greedily desired subject . . . a tickling delight of emptying ones semenary vessels " ( p . 526 ) . 7 p . 531. The double - entendre use of " satisfaction " in Othello supports this ...
... example , love is “ an insatiate thirst of enjoying a greedily desired subject . . . a tickling delight of emptying ones semenary vessels " ( p . 526 ) . 7 p . 531. The double - entendre use of " satisfaction " in Othello supports this ...
Page 105
... example , Canterbury prefigures Greenblatt's reading of the play in his well - known comparison of En- gland's realm to a beehive . The honey bees , he tells Henry , are " Creatures that by a rule in nature teach / The act of order to a ...
... example , Canterbury prefigures Greenblatt's reading of the play in his well - known comparison of En- gland's realm to a beehive . The honey bees , he tells Henry , are " Creatures that by a rule in nature teach / The act of order to a ...
Page 178
... example , with regard to the date ( 1592 ) and location ( the Rose ) of the first productions of The Contention and to the composition of Shakespeare's audience in the early 1590s ( exclusively privileged ) . Still , Wil- son's one ...
... example , with regard to the date ( 1592 ) and location ( the Rose ) of the first productions of The Contention and to the composition of Shakespeare's audience in the early 1590s ( exclusively privileged ) . Still , Wil- son's one ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York