Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 49
... early on and the taming plot opening out into " reality " at the end . In every genera- tion there have been a few hardy souls who have argued that A Shrew is indeed Shakespeare - an early apprentice version of the play that later ...
... early on and the taming plot opening out into " reality " at the end . In every genera- tion there have been a few hardy souls who have argued that A Shrew is indeed Shakespeare - an early apprentice version of the play that later ...
Page 55
... early version while offering readers a dazzling , unsettling empowerment : with only a slight stretching of the traditional rationale of copytext by which the best possible text is arrived at through the combination of variant early ...
... early version while offering readers a dazzling , unsettling empowerment : with only a slight stretching of the traditional rationale of copytext by which the best possible text is arrived at through the combination of variant early ...
Page 258
... early text or texts behind Q1 to the text of the First Folio . I shall argue further that a text substantially the same as F may have been in the possession of the Lord Chamberlain's Men be- fore the text of Q2 was created . Q2 , on the ...
... early text or texts behind Q1 to the text of the First Folio . I shall argue further that a text substantially the same as F may have been in the possession of the Lord Chamberlain's Men be- fore the text of Q2 was created . Q2 , on the ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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