Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 104
... discourse he inhabits cannot provide . When such ambiguities are produced within colonialist discourse , how can it be stable ? How , for instance , is St. Lawrence's speech " vndecent " except in its display , before the " re- gard ...
... discourse he inhabits cannot provide . When such ambiguities are produced within colonialist discourse , how can it be stable ? How , for instance , is St. Lawrence's speech " vndecent " except in its display , before the " re- gard ...
Page 106
... discourse , and a troubled , often self - cancelling discourse , then I do not think we can be so certain that we know who is speaking or what loyalties his talk may have implied . " Who . speaks when I do ? " Jonathan Goldberg has ...
... discourse , and a troubled , often self - cancelling discourse , then I do not think we can be so certain that we know who is speaking or what loyalties his talk may have implied . " Who . speaks when I do ? " Jonathan Goldberg has ...
Page 111
... discourse Henry speaks recognizes itself in what it denies . It too of course is writ- ing . It " is a system of marks " ; it " writes , inscribes , pre- scribes " 78 - these , Derrida has argued , are the signifying acts of colonialist ...
... discourse Henry speaks recognizes itself in what it denies . It too of course is writ- ing . It " is a system of marks " ; it " writes , inscribes , pre- scribes " 78 - these , Derrida has argued , are the signifying acts of colonialist ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York