Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 227
... course it is not only political ; but it seems necessary to restate the point because recent pro- ductions so often try to make it a purely personal , familial , and psychological drama ( much in the manner of A. C. Bradley , though a ...
... course it is not only political ; but it seems necessary to restate the point because recent pro- ductions so often try to make it a purely personal , familial , and psychological drama ( much in the manner of A. C. Bradley , though a ...
Page 289
... course . Nancy Vickers , in her celebrated essay , " " The bla- zon of sweet beauty's best " : Shakespeare's Lucrece ' , ar- gues that : In Lucrece occasion , rhetoric , and result are all informed by , and thus inscribe , a battle ...
... course . Nancy Vickers , in her celebrated essay , " " The bla- zon of sweet beauty's best " : Shakespeare's Lucrece ' , ar- gues that : In Lucrece occasion , rhetoric , and result are all informed by , and thus inscribe , a battle ...
Page 386
... course " ( " If ' a do blench , / I know my course " [ 2.2.597- 98 ] ) and hence of forging the sequence of events that fol- low in rapid succession to the dueling scene and its fatal " point . " Yet in the midst of all its insistence ...
... course " ( " If ' a do blench , / I know my course " [ 2.2.597- 98 ] ) and hence of forging the sequence of events that fol- low in rapid succession to the dueling scene and its fatal " point . " Yet in the midst of all its insistence ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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