Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 29
... comes , in the Welsh of Sir Hugh Evans , the ' focative ' ( The Merry Wives of Windsor , IV.i.45 ) . This makes ... comes to nothing , it also comes from nothing , from the lack that motivates desire - in this case the social and ...
... comes , in the Welsh of Sir Hugh Evans , the ' focative ' ( The Merry Wives of Windsor , IV.i.45 ) . This makes ... comes to nothing , it also comes from nothing , from the lack that motivates desire - in this case the social and ...
Page 305
... comes in his extraordinary acceptance of responsibility for Imo- gen's supposed death when he still believes her guilty - the same test that Othello fails and that Antony passes . 8 At the political level , too , Cloten is a ...
... comes in his extraordinary acceptance of responsibility for Imo- gen's supposed death when he still believes her guilty - the same test that Othello fails and that Antony passes . 8 At the political level , too , Cloten is a ...
Page 328
... comes , she says , with " words as medicinal as true , / Honest as ei- ther " ( 2.3.37 ) and refuses to allow her " needful " confer- ence " to be reduced to mere " noise . " Comparing her ex- change with Leontes to that between ...
... comes , she says , with " words as medicinal as true , / Honest as ei- ther " ( 2.3.37 ) and refuses to allow her " needful " confer- ence " to be reduced to mere " noise . " Comparing her ex- change with Leontes to that between ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York