Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 128
... claims , John states his claim to the English throne in terms of the law when he refers to himself as a ' lawful King ' ( 222 ) . Philip , however , states his claim on Arthur's behalf in terms of a power higher than human power . First ...
... claims , John states his claim to the English throne in terms of the law when he refers to himself as a ' lawful King ' ( 222 ) . Philip , however , states his claim on Arthur's behalf in terms of a power higher than human power . First ...
Page 140
... claim his inheri- tance , when he shortly lays claim to Richard's too ? An important instance of this kind is the trial of Bushy and Greene . Henry charges the two companions with hav- ing " misled a prince , " having " Made a divorce ...
... claim his inheri- tance , when he shortly lays claim to Richard's too ? An important instance of this kind is the trial of Bushy and Greene . Henry charges the two companions with hav- ing " misled a prince , " having " Made a divorce ...
Page 384
... claim to the birthright of the elder line ( 2HVI , 4.2.155 , 63 ) of the rhetoric of " lineal honor " and " successive " descent throughout the histories as a whole.37 The Shakespearean preposterous has even more concrete implications ...
... claim to the birthright of the elder line ( 2HVI , 4.2.155 , 63 ) of the rhetoric of " lineal honor " and " successive " descent throughout the histories as a whole.37 The Shakespearean preposterous has even more concrete implications ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York