Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 116
... calls ( 2.1.46 ) Gadshill , the setter of the robbery , the thief whose name also is not quite proper since it also names the place of the robbery ; " ' At hand , quoth pick - purse ' " ( 2.1.47 ) , the chamberlain , arriv- ing ...
... calls ( 2.1.46 ) Gadshill , the setter of the robbery , the thief whose name also is not quite proper since it also names the place of the robbery ; " ' At hand , quoth pick - purse ' " ( 2.1.47 ) , the chamberlain , arriv- ing ...
Page 384
... calls the " impious spectacle of proper order reversed " but a fully parodic exposure - with an " invent- ed " genealogy and echoes of Jacob and Esau in Cade's claim to the birthright of the elder line ( 2HVI , 4.2.155 , 63 ) of the ...
... calls the " impious spectacle of proper order reversed " but a fully parodic exposure - with an " invent- ed " genealogy and echoes of Jacob and Esau in Cade's claim to the birthright of the elder line ( 2HVI , 4.2.155 , 63 ) of the ...
Page 402
... calls Hotspur a ' child of honour ' ( 3.2.139 ) he is commending his manli- ness and courage : when in Henry VIII Katharine of Ara- gon calls Wolsey ' the great child of honour ' ( 4.2.6 ) she is alluding to his receipt of royal favour ...
... calls Hotspur a ' child of honour ' ( 3.2.139 ) he is commending his manli- ness and courage : when in Henry VIII Katharine of Ara- gon calls Wolsey ' the great child of honour ' ( 4.2.6 ) she is alluding to his receipt of royal favour ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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