Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 30
... body into play , and as Wall testifies , the body is not to be trusted . Wall's representational mishaps would make anthropologists nod knowingly , since they have taken much note of the fact that the apertures of the body are sites of ...
... body into play , and as Wall testifies , the body is not to be trusted . Wall's representational mishaps would make anthropologists nod knowingly , since they have taken much note of the fact that the apertures of the body are sites of ...
Page 248
... body , Coriolanus declares : " I cannot / Put on the gown [ of humility ] , stand naked , and entreat them / For my wounds ' sake to give their sufferage . " ' None of the rul- ing class understands why Coriolanus so stubbornly re ...
... body , Coriolanus declares : " I cannot / Put on the gown [ of humility ] , stand naked , and entreat them / For my wounds ' sake to give their sufferage . " ' None of the rul- ing class understands why Coriolanus so stubbornly re ...
Page 249
... bodies and body parts , the repeated and often bi- zarre references to hunger and cannibalism — seem to be associated with and occasioned by Shakespeare's interest in the enclosure controversy . But the thematic function of these ...
... bodies and body parts , the repeated and often bi- zarre references to hunger and cannibalism — seem to be associated with and occasioned by Shakespeare's interest in the enclosure controversy . But the thematic function of these ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York