Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 41
... beginning of act II , scene ii , Shakespeare introduces his favorite Ovidian myth , that of Philomela , evoking the legendary tale of a maiden's rape , mutilation , and loss of human voice . In her effort to re - create an earthly ...
... beginning of act II , scene ii , Shakespeare introduces his favorite Ovidian myth , that of Philomela , evoking the legendary tale of a maiden's rape , mutilation , and loss of human voice . In her effort to re - create an earthly ...
Page 203
... beginning “ And yet I know not how to get the Crowne , " Shakespeare began again to come to terms with a recalcitrant problem . The passage in which Richard discusses his deformity seems to come to a full stop with " round impaled with ...
... beginning “ And yet I know not how to get the Crowne , " Shakespeare began again to come to terms with a recalcitrant problem . The passage in which Richard discusses his deformity seems to come to a full stop with " round impaled with ...
Page 384
... beginnings , and hence over the boundaries of Henry V. The closure and enclosure of Henry's own forging , his exemplary humanist history moving in Aristotelian fashion from fresh beginning to tri- umphant end , repress both the " pre ...
... beginnings , and hence over the boundaries of Henry V. The closure and enclosure of Henry's own forging , his exemplary humanist history moving in Aristotelian fashion from fresh beginning to tri- umphant end , repress both the " pre ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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