Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 104
... become degenerate in short space and are quite al- tered into the worst sort of Irish rogues . . living near them ... [ they are ] transformed into them . " 12 The hybrid - either the degenerate Englishman or the in- completely ...
... become degenerate in short space and are quite al- tered into the worst sort of Irish rogues . . living near them ... [ they are ] transformed into them . " 12 The hybrid - either the degenerate Englishman or the in- completely ...
Page 194
... become . The character of Richard becomes more complex but also more confused in the second scene of the play , when he volunteers to advise his father York on a question of chiv- alry : namely , whether York must honor his oath to ...
... become . The character of Richard becomes more complex but also more confused in the second scene of the play , when he volunteers to advise his father York on a question of chiv- alry : namely , whether York must honor his oath to ...
Page 307
... becoming grist for Prospero's mill . When his magic lapses , they require the practical power of blackmail to keep them ... become tender ' ( V.i.18-19 ) by admitting that he is ' [ o ] ne of their kind ' , he effectively sets up another ...
... becoming grist for Prospero's mill . When his magic lapses , they require the practical power of blackmail to keep them ... become tender ' ( V.i.18-19 ) by admitting that he is ' [ o ] ne of their kind ' , he effectively sets up another ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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