Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 114
... argued elsewhere , only begins it . For the point is not ( as Wells and Taylor seem to think ) that the Oxford Shakespeare has given readers another play to add to the canon , but that it provides fur- ther evidence for the canon's ...
... argued elsewhere , only begins it . For the point is not ( as Wells and Taylor seem to think ) that the Oxford Shakespeare has given readers another play to add to the canon , but that it provides fur- ther evidence for the canon's ...
Page 125
... argument based on Magna Carta , and especially on chapter 29 , which guaranteed that a person's life and property could not be seized without due process of law , a guarantee which , the lawyers argued , the procedure of ex officio ...
... argument based on Magna Carta , and especially on chapter 29 , which guaranteed that a person's life and property could not be seized without due process of law , a guarantee which , the lawyers argued , the procedure of ex officio ...
Page 131
... argued , for example , that nonconformity was treason , obviously the lawyers would not defend their cli- ents by arguing that treason was acceptable . Rather , they had to redefine the issue so they would have new grounds on which to ...
... argued , for example , that nonconformity was treason , obviously the lawyers would not defend their cli- ents by arguing that treason was acceptable . Rather , they had to redefine the issue so they would have new grounds on which to ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York