Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 41
... appears immediately after First Fairy's reference to the " spotted snakes with double tongue " ( II.ii.9 ) that must be kept out of the fairy Queen's bower . The connection between slander and the muted human voice ( Hermia's ) that appears ...
... appears immediately after First Fairy's reference to the " spotted snakes with double tongue " ( II.ii.9 ) that must be kept out of the fairy Queen's bower . The connection between slander and the muted human voice ( Hermia's ) that appears ...
Page 193
... appears in two plays that antedate Richard III : he plays a brief part in 2 Henry VI and one considerably more extensive in 3 Henry VI , which was written and per- formed sometime before September 1592 , when Greene's Groatsworth of Wit ...
... appears in two plays that antedate Richard III : he plays a brief part in 2 Henry VI and one considerably more extensive in 3 Henry VI , which was written and per- formed sometime before September 1592 , when Greene's Groatsworth of Wit ...
Page 365
... appears at the third sound of the trumpet , he is formally questioned by the Herald as to his quality , and after claiming that he is as ' noble as the adversary ' he comes to cope ' ( V.iii . 123-4 ) , Edgar repeats his appeal of ...
... appears at the third sound of the trumpet , he is formally questioned by the Herald as to his quality , and after claiming that he is as ' noble as the adversary ' he comes to cope ' ( V.iii . 123-4 ) , Edgar repeats his appeal of ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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