Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 207
... Othello , even the most recent . ' It has been as long - lived as Nahum Tate's adapta- tion of King Lear , which ... Othello's ob- session , towards the kind of details that might obsess an Inspector from Scotland Yard ' . Secondly , it ...
... Othello , even the most recent . ' It has been as long - lived as Nahum Tate's adapta- tion of King Lear , which ... Othello's ob- session , towards the kind of details that might obsess an Inspector from Scotland Yard ' . Secondly , it ...
Page 208
... Othello's words and perhaps register some malignantly interested response . Be that as it may , his next words show that Iago is well aware that the marriage still hasn't been consummated , and he immediately insinuates , in his busy ...
... Othello's words and perhaps register some malignantly interested response . Be that as it may , his next words show that Iago is well aware that the marriage still hasn't been consummated , and he immediately insinuates , in his busy ...
Page 360
... Othello's tending to Montano's wounds , Desdemona's badgering him about Cas- sio , and Cassio's well - meant morning music . They are very literal - minded about all this , assuming not the intervention of any psychological process but ...
... Othello's tending to Montano's wounds , Desdemona's badgering him about Cas- sio , and Cassio's well - meant morning music . They are very literal - minded about all this , assuming not the intervention of any psychological process but ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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Antony argued argument audience body Caesar Cambridge Cassio characters claim Cleopatra clown comedy comic Coriolanus court critics death Desdemona desire discourse dramatic Elizabethan England English essay Falstaff father fear Greenblatt Hamlet hath Henry Henry VI history plays Iago identity imagination Julius Caesar King John King Lear language Leontes London lord Love's Labor's Lost lovers Lucrece Lucrece's Macbeth male marriage masculine ment metaphor Midsummer Night's Dream narrative narrator nature night Oldcastle Othello Oxford Pericles play's political poor preposterous Prince Prospero's Pyramus and Thisbe queen reading rebellion Renaissance represents rhetoric Richard Richard II Roman scene seems sense sexual Shake Shakespeare Shrew sion social speaks speare speare's speech stage suggests symbolic Tarquin theater theatrical Theseus things thou tion tragedy Troilus and Cressida Troilus's Univ University Press voice Winter's Tale woman women words York