Shakespearean CriticismJoseph C. Tardiff Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 63
... Cressida . Cressida imagines no such thing ; her negative vows ( " If I be false or swerve a hair from truth ... " [ 11. 183-95 ] ) show that the most she can imag- ine asking from fame is anonymity . In Lacanian terms , what Troilus ...
... Cressida . Cressida imagines no such thing ; her negative vows ( " If I be false or swerve a hair from truth ... " [ 11. 183-95 ] ) show that the most she can imag- ine asking from fame is anonymity . In Lacanian terms , what Troilus ...
Page 347
... Cressida's betrayal of him : the distasted wife is associated with soiled silks and leftover food no longer de- sirable because we now are full . The analogies of the Tro- jan Council scene ground Troilus's responses to Cressida in 5.2 ...
... Cressida's betrayal of him : the distasted wife is associated with soiled silks and leftover food no longer de- sirable because we now are full . The analogies of the Tro- jan Council scene ground Troilus's responses to Cressida in 5.2 ...
Page 355
... Cressida , " Essays in Criticism , 32 [ 1982 ] : 30 ) . 10 Thersites's first words about the " matter " of Agamem- non's boils associate meaninglessness with the corrupted body ( 2.1.2-9 ) . The only matter here is the pus of the play's ...
... Cressida , " Essays in Criticism , 32 [ 1982 ] : 30 ) . 10 Thersites's first words about the " matter " of Agamem- non's boils associate meaninglessness with the corrupted body ( 2.1.2-9 ) . The only matter here is the pus of the play's ...
Contents
Catherine Belsey Love in Venice | 3 |
Mark Breitenberg The Anatomy of Masculine Desire in Loves Labors Lost | 12 |
Calderwood Walls Partitions and Performances | 23 |
Copyright | |
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