An Essay on the Writings and Genius of Shakespear Compared with the Greek and French Dramatic Poets: With Some Remarks Upon the Misrepresentations of Mons. de VoltaireCharles Dilly, 1785 - 316 pages |
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Page 12
... imitation . Every species of poetry has its diftinct offices . The ef- fecting certain moral purposes , by the re- presentation of a Fable , feems to have been the univerfal intention , from the first infti- ' tution of the Drama to ...
... imitation . Every species of poetry has its diftinct offices . The ef- fecting certain moral purposes , by the re- presentation of a Fable , feems to have been the univerfal intention , from the first infti- ' tution of the Drama to ...
Page 18
... imitation . It may be faid in mitigation of his fault , that the vulgar here had not , as at Athens , been ufed to behold , Gorgeous tragedy In fcepter'd pall come sweeping by , Prefenting Thebes or Pelops ' line , Or the tale of Troy ...
... imitation . It may be faid in mitigation of his fault , that the vulgar here had not , as at Athens , been ufed to behold , Gorgeous tragedy In fcepter'd pall come sweeping by , Prefenting Thebes or Pelops ' line , Or the tale of Troy ...
Page 23
... imitation . The epic Poem and the Tra- gedy , fays Aristotle , are purely imitations * ; but the dramatic is an imitation of the actions of men , by the means of action it- felf . The epic is also an imitation of the actions of men ...
... imitation . The epic Poem and the Tra- gedy , fays Aristotle , are purely imitations * ; but the dramatic is an imitation of the actions of men , by the means of action it- felf . The epic is also an imitation of the actions of men ...
Page 24
... imitation , and not on account of his other excellencies only , He alone deserves the name of Poet * . It is apparent there- fore , how far this great Critic prefers this , to every other species of Imitation . The general object of ...
... imitation , and not on account of his other excellencies only , He alone deserves the name of Poet * . It is apparent there- fore , how far this great Critic prefers this , to every other species of Imitation . The general object of ...
Page 26
... imitation placed , by a Critic , whose judgment was formed by philosophy , and a deep knowledge of human nature . He faw the powerful agency of living words , joined to moving things , when still Nar- ration yields the place to animated ...
... imitation placed , by a Critic , whose judgment was formed by philosophy , and a deep knowledge of human nature . He faw the powerful agency of living words , joined to moving things , when still Nar- ration yields the place to animated ...
Common terms and phrases
abfurd addrefs admired Affaffin affift affume againſt allegory ANTONY arife Auguftus baſe becauſe beſt blood Brutus Cæfar Caffius cauſe character Cinna circumſtances confpiracy Corneille critics dæmons defire drama ELPINICE Emilia Engliſh eſtabliſhed Euripides expreffed fable fame faſhion fays fcene fecret feems fentiments fhew firſt folemn foliloquy fome fpeech French ftill fubjects fuch fuperiority fure genius Ghoſt greateſt heart heav'n hero himſelf hiſtory honour human imitation intereſt itſelf juft juſt king lefs Macbeth manners maſter mind moft moſt muſt myſelf nature neceffary noble obferved occafion paffions perfons philofophic piece play pleaſe pleaſure PLUTARCH Poet Poetry preſent purpoſes racters raiſe reaſon rendered repreſentation repreſented Roman ſay ſcene ſeems Shakeſpear ſhall ſhe ſhould ſome ſpeak ſpectator ſpirit ſtage ſtate ſtill ſtory ſtrong ſtyle ſuch Tacitus taſte thee thefe theſe thing thofe thoſe thou tion tragedy tragedy of Macbeth tranflation underſtand uſeful Voltaire whofe whoſe writers
Popular passages
Page 248 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 266 - And will, no doubt, with reasons answer you. I come not, friends, to steal away your hearts : I am no orator, as Brutus is ; But, as you know me all, a plain blunt man, That love my friend...
Page 182 - But far beyond my depth : my high-blown pride At length broke under me ; and now has left me, Weary, and old with service, to the mercy Of a rude stream, that must for ever hide me.
Page 266 - I tell you that which you yourselves do know; Show you sweet Caesar's wounds, poor poor dumb mouths, And bid them speak for me: but were I Brutus, And Brutus Antony, there were an Antony Would ruffle up your spirits and put a tongue In every wound of Caesar that should move The stones of Rome to rise and mutiny.
Page 261 - Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him. The evil, that men do, lives after them ; The good is oft interred with their bones ; So let it be with Caesar.
Page 262 - I thrice presented him a kingly crown, Which he did thrice refuse : was this ambition? Yet Brutus says he was ambitious; And, sure, he is an honourable man.
Page 183 - And, — pr'ythee, lead me in : There, take an inventory of all I have ; To the last penny, 'tis the king's : my robe, And my integrity to heaven, is all I dare now call mine own. O Cromwell, Cromwell ! Had I but served my God with half the zeal I served my king, he would not in mine age Have left me naked to mine enemies.
Page 262 - Here, under leave of Brutus and the rest For Brutus is an honourable man; So are they all, all honourable men Come I to speak in Caesar's funeral. He was my friend, faithful and just to me; But Brutus says he was ambitious, And Brutus is an honourable man.
Page 187 - If chance will have me king, why, chance may crown me, Without my stir.
Page 189 - Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off...