Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 13Gale Research Company, 1984 |
From inside the book
Results 1-3 of 85
Page 62
... thought and almost like the gods Do thoughts unveil in their dumb cradles . ( III . iii . 190-200 ) Ulysses ' governing intelligence looks for complete ( totali- tarian ) knowledge of the subject's most intimate self , and he speaks as ...
... thought and almost like the gods Do thoughts unveil in their dumb cradles . ( III . iii . 190-200 ) Ulysses ' governing intelligence looks for complete ( totali- tarian ) knowledge of the subject's most intimate self , and he speaks as ...
Page 481
... thought . In- stead of looking for the relation between two things by fol- lowing the hidden contours of their causal connexion , thought makes a leap and discovers their relation , not in a connection of cause and effects , but in a ...
... thought . In- stead of looking for the relation between two things by fol- lowing the hidden contours of their causal connexion , thought makes a leap and discovers their relation , not in a connection of cause and effects , but in a ...
Page 508
... thoughts about going ahead with this great busi- ness ' . Instead of giving her a direct answer , he first follows his own line of thought , ' Hath he asked for me ? ' Her ques- tion does not receive its answer until he makes his pro ...
... thoughts about going ahead with this great busi- ness ' . Instead of giving her a direct answer , he first follows his own line of thought , ' Hath he asked for me ? ' Her ques- tion does not receive its answer until he makes his pro ...
Contents
Camille Wells Slights The Raw and the Cooked in The Taming of the Shrew | 11 |
A Reading of The Two Gentlemen | 18 |
Festive Theory | 36 |
Copyright | |
18 other sections not shown
Other editions - View all
Common terms and phrases
action actor All's Angelo Antony argue audience Bassanio Bastard becomes Bertram blood body burial Caesar character Claudius Cleopatra comedy comic Cordelia critics cultural Cymbeline death Desdemona desire dramatic Dream Duke Duke's Elizabethan English Falstaff fantasy father figure final Folio gender Hamlet Helena Henry Henry VI hero history plays human Iago Iago's imagination Isabella Juliet King John King Lear language Lavinia Leontes literal London lord lovers Lucio Macbeth male marriage means Measure for Measure ment Merchant of Venice metaphor Midsummer Night's Dream moral nature Othello performance Petruchio play's plot political Portia Press Renaissance rhetoric Richard Richard III rites ritual role Roman Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare sion social speak speare speare's speech stage story suggests Tale theater theatrical thou tion Titus tragedy tragic Univ Venice Winter's Tale woman women words York