Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 13Gale Research Company, 1984 |
From inside the book
Results 1-3 of 88
Page 268
... tells us that the death of his father has not been properly mourned , and Claudius tells Gertrude that he had Polonius buried " hugger - mugger . " Rosencrantz and Guildenstern , we may assume , were received in England with all the ...
... tells us that the death of his father has not been properly mourned , and Claudius tells Gertrude that he had Polonius buried " hugger - mugger . " Rosencrantz and Guildenstern , we may assume , were received in England with all the ...
Page 377
... tells his men , ' The land bids me tread no more upon't , / It is ashamed to bear me ' ( 3.11.1-2 ) . Then , describing the con- sequences of Antony's defeat , Caesar says , ' the three- nooked world / Shall bear the olive freely ...
... tells his men , ' The land bids me tread no more upon't , / It is ashamed to bear me ' ( 3.11.1-2 ) . Then , describing the con- sequences of Antony's defeat , Caesar says , ' the three- nooked world / Shall bear the olive freely ...
Page 462
... tells us to take for granted . This contrast suggests why Belsey goes on to say that " ide- ology " ( which she uses in its Althusserian sense ) " is in- scribed in discourse . " Clearly , common sense and modern physics are not only ...
... tells us to take for granted . This contrast suggests why Belsey goes on to say that " ide- ology " ( which she uses in its Althusserian sense ) " is in- scribed in discourse . " Clearly , common sense and modern physics are not only ...
Contents
Camille Wells Slights The Raw and the Cooked in The Taming of the Shrew | 11 |
A Reading of The Two Gentlemen | 18 |
Festive Theory | 36 |
Copyright | |
18 other sections not shown
Other editions - View all
Common terms and phrases
action actor All's Angelo Antony argue audience Bassanio Bastard becomes Bertram blood body burial Caesar character Claudius Cleopatra comedy comic Cordelia critics cultural Cymbeline death Desdemona desire dramatic Dream Duke Duke's Elizabethan English Falstaff fantasy father figure final Folio gender Hamlet Helena Henry Henry VI hero history plays human Iago Iago's imagination Isabella Juliet King John King Lear language Lavinia Leontes literal London lord lovers Lucio Macbeth male marriage means Measure for Measure ment Merchant of Venice metaphor Midsummer Night's Dream moral nature Othello performance Petruchio play's plot political Portia Press Renaissance rhetoric Richard Richard III rites ritual role Roman Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare sion social speak speare speare's speech stage story suggests Tale theater theatrical thou tion Titus tragedy tragic Univ Venice Winter's Tale woman women words York