Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 13Gale Research Company, 1984 |
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Page 119
... suggests a relatively seamless transition from the region of tropes to the region of history , of the actual event , a decapitation , a proclamation , or simply the notorious recording of such events . Rather than collapsing judgments ...
... suggests a relatively seamless transition from the region of tropes to the region of history , of the actual event , a decapitation , a proclamation , or simply the notorious recording of such events . Rather than collapsing judgments ...
Page 123
... suggests , the conclusion that historicism arises as the catachresis posited by the texts it seeks to " resituate " becomes more than a passing contra- diction , and the " historical subject " something other than the ideological ...
... suggests , the conclusion that historicism arises as the catachresis posited by the texts it seeks to " resituate " becomes more than a passing contra- diction , and the " historical subject " something other than the ideological ...
Page 124
... suggests that the play's substitutive patterns never reach the mode of reference that such arguments claim for representation . Although I am not sure that the two directions of his thought can be easily rec- onciled , Goldberg's ...
... suggests that the play's substitutive patterns never reach the mode of reference that such arguments claim for representation . Although I am not sure that the two directions of his thought can be easily rec- onciled , Goldberg's ...
Contents
Camille Wells Slights The Raw and the Cooked in The Taming of the Shrew | 11 |
A Reading of The Two Gentlemen | 18 |
Festive Theory | 36 |
Copyright | |
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action actor All's Angelo Antony argue audience Bassanio Bastard becomes Bertram blood body burial Caesar character Claudius Cleopatra comedy comic Cordelia critics cultural Cymbeline death Desdemona desire dramatic Dream Duke Duke's Elizabethan English Falstaff fantasy father figure final Folio gender Hamlet Helena Henry Henry VI hero history plays human Iago Iago's imagination Isabella Juliet King John King Lear language Lavinia Leontes literal London lord lovers Lucio Macbeth male marriage means Measure for Measure ment Merchant of Venice metaphor Midsummer Night's Dream moral nature Othello performance Petruchio play's plot political Portia Press Renaissance rhetoric Richard Richard III rites ritual role Roman Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare sion social speak speare speare's speech stage story suggests Tale theater theatrical thou tion Titus tragedy tragic Univ Venice Winter's Tale woman women words York