Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 13Gale Research Company, 1984 |
From inside the book
Results 1-3 of 89
Page 315
... sense unutterable , unperform- able . The dumb chaos of this conversation - or non- conversation - both locks Othello into and sets him adrift within words , takes his words from him ; it makes him speak babble , and furthermore makes ...
... sense unutterable , unperform- able . The dumb chaos of this conversation - or non- conversation - both locks Othello into and sets him adrift within words , takes his words from him ; it makes him speak babble , and furthermore makes ...
Page 330
... sense is virtually an Anglo - Saxon equivalent for the Latin- ate " obscene " -referring to that which is profoundly im- proper , not merely indecent but tainted ( in the original sense ) or unclean ; and that which should also ...
... sense is virtually an Anglo - Saxon equivalent for the Latin- ate " obscene " -referring to that which is profoundly im- proper , not merely indecent but tainted ( in the original sense ) or unclean ; and that which should also ...
Page 462
... sense is one such do- main of language use , and modern physics another , and that " some of the formulations of the one may be expected to conflict with the formulations of the other . " This cou- pling is loaded . In Belsey's account ...
... sense is one such do- main of language use , and modern physics another , and that " some of the formulations of the one may be expected to conflict with the formulations of the other . " This cou- pling is loaded . In Belsey's account ...
Contents
Camille Wells Slights The Raw and the Cooked in The Taming of the Shrew | 11 |
A Reading of The Two Gentlemen | 18 |
Festive Theory | 36 |
Copyright | |
18 other sections not shown
Other editions - View all
Common terms and phrases
action actor All's Angelo Antony argue audience Bassanio Bastard becomes Bertram blood body burial Caesar character Claudius Cleopatra comedy comic Cordelia critics cultural Cymbeline death Desdemona desire dramatic Dream Duke Duke's Elizabethan English Falstaff fantasy father figure final Folio gender Hamlet Helena Henry Henry VI hero history plays human Iago Iago's imagination Isabella Juliet King John King Lear language Lavinia Leontes literal London lord lovers Lucio Macbeth male marriage means Measure for Measure ment Merchant of Venice metaphor Midsummer Night's Dream moral nature Othello performance Petruchio play's plot political Portia Press Renaissance rhetoric Richard Richard III rites ritual role Roman Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare sion social speak speare speare's speech stage story suggests Tale theater theatrical thou tion Titus tragedy tragic Univ Venice Winter's Tale woman women words York