Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 13Gale Research Company, 1984 |
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Page 105
... role . Ironically , Lucio's delightfully amoral attitude towards theater exerts a positive influence upon Claudio , serving as a catalyst for Claudio's more re- alistic view of his offense , that there were extenuating cir- cumstances ...
... role . Ironically , Lucio's delightfully amoral attitude towards theater exerts a positive influence upon Claudio , serving as a catalyst for Claudio's more re- alistic view of his offense , that there were extenuating cir- cumstances ...
Page 106
... role she plays with skill even though she remains a virgin . This idealistic votarist , who would willingly be whipped to death for her brother's sake rather than to stoop to " abhorred pollution " for him , finds the strength to ...
... role she plays with skill even though she remains a virgin . This idealistic votarist , who would willingly be whipped to death for her brother's sake rather than to stoop to " abhorred pollution " for him , finds the strength to ...
Page 109
... role - playing . The play would seem here to be arguing that role - playing can engender a deeper awareness of the self that protects against rapid fluctuations . But what is the final effect of role - playing on the charac- ters ...
... role - playing . The play would seem here to be arguing that role - playing can engender a deeper awareness of the self that protects against rapid fluctuations . But what is the final effect of role - playing on the charac- ters ...
Contents
Camille Wells Slights The Raw and the Cooked in The Taming of the Shrew | 11 |
A Reading of The Two Gentlemen | 18 |
Festive Theory | 36 |
Copyright | |
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action actor All's Angelo Antony argue audience Bassanio Bastard becomes Bertram blood body burial Caesar character Claudius Cleopatra comedy comic Cordelia critics cultural Cymbeline death Desdemona desire dramatic Dream Duke Duke's Elizabethan English Falstaff fantasy father figure final Folio gender Hamlet Helena Henry Henry VI hero history plays human Iago Iago's imagination Isabella Juliet King John King Lear language Lavinia Leontes literal London lord lovers Lucio Macbeth male marriage means Measure for Measure ment Merchant of Venice metaphor Midsummer Night's Dream moral nature Othello performance Petruchio play's plot political Portia Press Renaissance rhetoric Richard Richard III rites ritual role Roman Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare sion social speak speare speare's speech stage story suggests Tale theater theatrical thou tion Titus tragedy tragic Univ Venice Winter's Tale woman women words York