Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 13Gale Research Company, 1984 |
From inside the book
Results 1-3 of 76
Page 247
... performance criticism can more firmly inscribe itself in relation to other critical discourses , theorize itself into something close to privileged status , and reposition its centrality . I say reposi- tion because in Elizabethan times ...
... performance criticism can more firmly inscribe itself in relation to other critical discourses , theorize itself into something close to privileged status , and reposition its centrality . I say reposi- tion because in Elizabethan times ...
Page 248
... performance texts ? Although some forms of discourse acknowledge such variability- particularly the so - called stage - centered reading , which attempts to create the equivalent of a performance text in rehearsal by generating multiple ...
... performance texts ? Although some forms of discourse acknowledge such variability- particularly the so - called stage - centered reading , which attempts to create the equivalent of a performance text in rehearsal by generating multiple ...
Page 494
... performance , and of some features of that original performance , that are much less obvious and point to some of the things which modern viewers of Shakespeare in performance have lost . Such losses as these are a necessary ...
... performance , and of some features of that original performance , that are much less obvious and point to some of the things which modern viewers of Shakespeare in performance have lost . Such losses as these are a necessary ...
Contents
Camille Wells Slights The Raw and the Cooked in The Taming of the Shrew | 11 |
A Reading of The Two Gentlemen | 18 |
Festive Theory | 36 |
Copyright | |
18 other sections not shown
Other editions - View all
Common terms and phrases
action actor All's Angelo Antony argue audience Bassanio Bastard becomes Bertram blood body burial Caesar character Claudius Cleopatra comedy comic Cordelia critics cultural Cymbeline death Desdemona desire dramatic Dream Duke Duke's Elizabethan English Falstaff fantasy father figure final Folio gender Hamlet Helena Henry Henry VI hero history plays human Iago Iago's imagination Isabella Juliet King John King Lear language Lavinia Leontes literal London lord lovers Lucio Macbeth male marriage means Measure for Measure ment Merchant of Venice metaphor Midsummer Night's Dream moral nature Othello performance Petruchio play's plot political Portia Press Renaissance rhetoric Richard Richard III rites ritual role Roman Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare sion social speak speare speare's speech stage story suggests Tale theater theatrical thou tion Titus tragedy tragic Univ Venice Winter's Tale woman women words York