Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 13Gale Research Company, 1984 |
From inside the book
Results 1-3 of 81
Page 183
... male subject . Not only is the trajectory of the male posited as normative , but that subject is constituted in relation to a fantasized Other - an Other that is at once engendered as " woman " and eroticized in reference to female ...
... male subject . Not only is the trajectory of the male posited as normative , but that subject is constituted in relation to a fantasized Other - an Other that is at once engendered as " woman " and eroticized in reference to female ...
Page 184
... male subjectivity and sexuality . Although the histories depend on a resolutely hierarchical representation of gender dif- ference , they do not merely exclude women ; they stage the exclusion of women from the historical process ( an ...
... male subjectivity and sexuality . Although the histories depend on a resolutely hierarchical representation of gender dif- ference , they do not merely exclude women ; they stage the exclusion of women from the historical process ( an ...
Page 261
... male and fe- male physiology . ' Laqueur's work offers a useful corrective to accounts of Renaissance notions of woman - such as that of Ian Ma- clean that reduce gender differences to a rigid and rela- tively simple set of binary ...
... male and fe- male physiology . ' Laqueur's work offers a useful corrective to accounts of Renaissance notions of woman - such as that of Ian Ma- clean that reduce gender differences to a rigid and rela- tively simple set of binary ...
Contents
Camille Wells Slights The Raw and the Cooked in The Taming of the Shrew | 11 |
A Reading of The Two Gentlemen | 18 |
Festive Theory | 36 |
Copyright | |
18 other sections not shown
Other editions - View all
Common terms and phrases
action actor All's Angelo Antony argue audience Bassanio Bastard becomes Bertram blood body burial Caesar character Claudius Cleopatra comedy comic Cordelia critics cultural Cymbeline death Desdemona desire dramatic Dream Duke Duke's Elizabethan English Falstaff fantasy father figure final Folio gender Hamlet Helena Henry Henry VI hero history plays human Iago Iago's imagination Isabella Juliet King John King Lear language Lavinia Leontes literal London lord lovers Lucio Macbeth male marriage means Measure for Measure ment Merchant of Venice metaphor Midsummer Night's Dream moral nature Othello performance Petruchio play's plot political Portia Press Renaissance rhetoric Richard Richard III rites ritual role Roman Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare sion social speak speare speare's speech stage story suggests Tale theater theatrical thou tion Titus tragedy tragic Univ Venice Winter's Tale woman women words York