Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 13Gale Research Company, 1984 |
From inside the book
Results 1-3 of 87
Page 115
... figure of authority , and the hidden Duke himself refigured in the Friar's clothes . The Duke's is a gesture that controls and generates analogy , both de- scriptively by seeking to identify it ( the Duke's hidden project will , in part ...
... figure of authority , and the hidden Duke himself refigured in the Friar's clothes . The Duke's is a gesture that controls and generates analogy , both de- scriptively by seeking to identify it ( the Duke's hidden project will , in part ...
Page 119
... figure of piracy is powerfully recapitulated in the appearance of Ragozine's head : what , indeed , could be more current than the movement that leads from a coin bearing the cer- tainly ambiguous figure of a pirate to the exchange of ...
... figure of piracy is powerfully recapitulated in the appearance of Ragozine's head : what , indeed , could be more current than the movement that leads from a coin bearing the cer- tainly ambiguous figure of a pirate to the exchange of ...
Page 122
... figure of the part , but around a prosopographia whose act of notation , graphein , can also be called " Catachresis or the figure of abuse , " as Puttenham puts it : But if for lacke of naturall and proper terme or worde we take ...
... figure of the part , but around a prosopographia whose act of notation , graphein , can also be called " Catachresis or the figure of abuse , " as Puttenham puts it : But if for lacke of naturall and proper terme or worde we take ...
Contents
Camille Wells Slights The Raw and the Cooked in The Taming of the Shrew | 11 |
A Reading of The Two Gentlemen | 18 |
Festive Theory | 36 |
Copyright | |
18 other sections not shown
Other editions - View all
Common terms and phrases
action actor All's Angelo Antony argue audience Bassanio Bastard becomes Bertram blood body burial Caesar character Claudius Cleopatra comedy comic Cordelia critics cultural Cymbeline death Desdemona desire dramatic Dream Duke Duke's Elizabethan English Falstaff fantasy father figure final Folio gender Hamlet Helena Henry Henry VI hero history plays human Iago Iago's imagination Isabella Juliet King John King Lear language Lavinia Leontes literal London lord lovers Lucio Macbeth male marriage means Measure for Measure ment Merchant of Venice metaphor Midsummer Night's Dream moral nature Othello performance Petruchio play's plot political Portia Press Renaissance rhetoric Richard Richard III rites ritual role Roman Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare sion social speak speare speare's speech stage story suggests Tale theater theatrical thou tion Titus tragedy tragic Univ Venice Winter's Tale woman women words York