Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 13Gale Research Company, 1984 |
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Page 235
... death pervades Romeo and Juliet . The word " death " itself shows up more often here than in any other work in the canon . In the lyrical balcony scene ( 2.2.53-78 ) no less than the ominous Prologue , love is " death- mark'd . " Even ...
... death pervades Romeo and Juliet . The word " death " itself shows up more often here than in any other work in the canon . In the lyrical balcony scene ( 2.2.53-78 ) no less than the ominous Prologue , love is " death- mark'd . " Even ...
Page 240
... death and vows to resist to the end of time . Romeo then kisses his beloved to seal " a dateless bargain to engrossing death " ( 5.3.115 ) . " Engrossing " readily ap- plies to patriarchal hegemony and competitiveness . In ad- dition ...
... death and vows to resist to the end of time . Romeo then kisses his beloved to seal " a dateless bargain to engrossing death " ( 5.3.115 ) . " Engrossing " readily ap- plies to patriarchal hegemony and competitiveness . In ad- dition ...
Page 242
... Death and Elizabethan Trag- edy , p . 77 ) . The " Monster " Death is based on conventional imagery of the skeleton ( pp . 72-77 ) . In the play as well as in the social world from which it derives , however , that imagery is also ...
... Death and Elizabethan Trag- edy , p . 77 ) . The " Monster " Death is based on conventional imagery of the skeleton ( pp . 72-77 ) . In the play as well as in the social world from which it derives , however , that imagery is also ...
Contents
Camille Wells Slights The Raw and the Cooked in The Taming of the Shrew | 11 |
A Reading of The Two Gentlemen | 18 |
Festive Theory | 36 |
Copyright | |
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