Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 13Gale Research Company, 1984 |
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Page 243
... Close of Romeo and Juliet's Golden Story Barbara Hodgdon , Drake University Philip Brockbank , Shakespeare Institute , University of Birmingham. To begin with endings , consider two brief texts . Although neither comes from the ...
... Close of Romeo and Juliet's Golden Story Barbara Hodgdon , Drake University Philip Brockbank , Shakespeare Institute , University of Birmingham. To begin with endings , consider two brief texts . Although neither comes from the ...
Page 245
... close - up , the Prince's " All are punished ! " admonished both on - screen and off - screen watchers , equally complicit in the play's tragedy . " 7 As the two families filed through the cathedral door to- ward the camera , a brief ...
... close - up , the Prince's " All are punished ! " admonished both on - screen and off - screen watchers , equally complicit in the play's tragedy . " 7 As the two families filed through the cathedral door to- ward the camera , a brief ...
Page 283
... close to the originally performed version of the play , F is held to be very close to a later performance text , and Hamlet may be thought to have influenced itself . Though this hy- pothesis is now recovering a certain degree of ...
... close to the originally performed version of the play , F is held to be very close to a later performance text , and Hamlet may be thought to have influenced itself . Though this hy- pothesis is now recovering a certain degree of ...
Contents
Camille Wells Slights The Raw and the Cooked in The Taming of the Shrew | 11 |
A Reading of The Two Gentlemen | 18 |
Festive Theory | 36 |
Copyright | |
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action actor All's Angelo Antony argue audience Bassanio Bastard becomes Bertram blood body burial Caesar character Claudius Cleopatra comedy comic Cordelia critics cultural Cymbeline death Desdemona desire dramatic Dream Duke Duke's Elizabethan English Falstaff fantasy father figure final Folio gender Hamlet Helena Henry Henry VI hero history plays human Iago Iago's imagination Isabella Juliet King John King Lear language Lavinia Leontes literal London lord lovers Lucio Macbeth male marriage means Measure for Measure ment Merchant of Venice metaphor Midsummer Night's Dream moral nature Othello performance Petruchio play's plot political Portia Press Renaissance rhetoric Richard Richard III rites ritual role Roman Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare sion social speak speare speare's speech stage story suggests Tale theater theatrical thou tion Titus tragedy tragic Univ Venice Winter's Tale woman women words York