Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 13Gale Research Company, 1984 |
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Page 260
... blood and bleeding , particularly in Julius Caesar . At certain dis- cursive occasions in the play , these signs function as his- torically specific attributes of gender , as important tropes of patriarchal discourse . The meaning of blood ...
... blood and bleeding , particularly in Julius Caesar . At certain dis- cursive occasions in the play , these signs function as his- torically specific attributes of gender , as important tropes of patriarchal discourse . The meaning of blood ...
Page 261
... blood might in medical or scientific contexts be regarded as identical in nature to blood pro- duced in other ways , popular culture often followed scrip- tural prescriptions in demonizing menstrual blood and the menstruating woman with ...
... blood might in medical or scientific contexts be regarded as identical in nature to blood pro- duced in other ways , popular culture often followed scrip- tural prescriptions in demonizing menstrual blood and the menstruating woman with ...
Page 262
... blood and scars . It is only logical then that the im- putation of dependency conjoins with the fact of compul- sion : the autonomy that Coriolanus has claimed in shed- ding blood in battle is threatened by his forced , involun- tary ...
... blood and scars . It is only logical then that the im- putation of dependency conjoins with the fact of compul- sion : the autonomy that Coriolanus has claimed in shed- ding blood in battle is threatened by his forced , involun- tary ...
Contents
Camille Wells Slights The Raw and the Cooked in The Taming of the Shrew | 11 |
A Reading of The Two Gentlemen | 18 |
Festive Theory | 36 |
Copyright | |
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action actor All's Angelo Antony argue audience Bassanio Bastard becomes Bertram blood body burial Caesar character Claudius Cleopatra comedy comic Cordelia critics cultural Cymbeline death Desdemona desire dramatic Dream Duke Duke's Elizabethan English Falstaff fantasy father figure final Folio gender Hamlet Helena Henry Henry VI hero history plays human Iago Iago's imagination Isabella Juliet King John King Lear language Lavinia Leontes literal London lord lovers Lucio Macbeth male marriage means Measure for Measure ment Merchant of Venice metaphor Midsummer Night's Dream moral nature Othello performance Petruchio play's plot political Portia Press Renaissance rhetoric Richard Richard III rites ritual role Roman Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare sion social speak speare speare's speech stage story suggests Tale theater theatrical thou tion Titus tragedy tragic Univ Venice Winter's Tale woman women words York