 | Samuel Taylor Coleridge - Literary forgeries and mystifications - 1856 - 518 pages
...all the portions of which are beautiful, although their particular relation to each other is unknown. Shakespeare knew the human mind, and its most minute...own fault or the fault of copyists and typographers ; but study, and the possession of some small stock of the knowledge by which he worked, will enable... | |
 | Samuel Taylor Coleridge - Literary forgeries and mystifications - 1856 - 414 pages
...all the portions of which are beautiful, although their particular relation to each other is unknown. Shakespeare knew the human mind, and its most minute...own fault or the fault of copyists and typographers ; but study, and the possession of some small stock of the knowledge by which he worked, will enable... | |
 | Samuel Taylor Coleridge - English drama - 1883 - 544 pages
...portions of which are beautiful, although their particular relation to each other is unknown. Shakspere knew the human mind, and its most minute and intimate...own fault or the fault of copyists and typographers ; but study, and the possession of some small stock of the knowledge by which he worked, will enable... | |
 | Samuel Taylor Coleridge - English drama - 1893 - 666 pages
...unknown. Shakspere knew the human mind, and it most minute and intimate workings, and he never intro duces a word, or a thought, in vain or out of place : if...own fault or the fault of copyists and typographers ; but study, and the possession of some small stock of the knowledge by which he worked will enable... | |
 | American periodicals - 1904 - 498 pages
...Shakespeare; and he took Shakespeare almost frankly in the place of Nature, or of poetry. He affirms, " Shakespeare knew the human mind, and its most minute...introduces a word, or a thought, in vain or out of place." This granted — and to Coleridge it is essential that it should be granted, for in less than the infinite... | |
 | Arthur Symons - English literature - 1909 - 362 pages
...Shakespeare ; and he took Shakespeare almost as frankly in the place of Nature, or of poetry. He afl&rms, ' Shakespeare knew the human mind, and its most minute...introduces a word, or a thought, in vain or out of place.' This granted (and to Coleridge it is essential that it should be granted, for in less than the infinite... | |
 | Arthur Symons - Literary Criticism - 1909 - 372 pages
...Shakespeare ; and he took Shakespeare almost as frankly in the place of Nature, or of poetry. He affirms, ' Shakespeare knew the human mind, and its most minute...introduces a word, or a thought, in vain or out of place.' This granted (and to Coleridge it is essential that it should be granted, for in less than the infinite... | |
 | Raymond Macdonald Alden - English prose literature - 1917 - 716 pages
...passage in Collier's notes of the seventh lecture in his course on Shakespeare and Milton (1811-12): " Shakespeare knew the human mind, and its most minute...out of place. If we do not understand him, it is our fault or the fault of copyists or typographers; but study, and the possession of some small stock of... | |
 | Alice Dorothea Snyder - 1918 - 76 pages
...Shakespeare ; and he took Shakespeare almost as frankly in the place of Nature, or of poetry. He affirms, 'Shakespeare knew the human mind, and its most minute and intimate workings, and he never ises and ponderous volumes. They were fragmentary, they were scattered, as it were, at random; many... | |
 | Raymond Macdonald Alden - Criticism - 1921 - 458 pages
...passage in the seventh lecture of his course on Shakespeare and Milton (1811-12), as reported by Collier: "Shakespeare knew the human mind, and its most minute...out of place. If we do not understand him, it Is our fault or the fault of copyists or typographers. ... He never wrote at random, or hit upon points of... | |
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Shakespeare knew the human mind and its most minute and intimate workings, and he never introduces a word or a thought in vain or out of place... 
