Roman Presences: Receptions of Rome in European Culture, 1789-1945This collection of essays explores aspects of the reception of ancient Rome in a number of European countries from the late eighteenth century to the end of the Second World War. Rome has been made to stand for literary authority, republican heroism, imperial power and decline, the Catholic Church, the pleasure of ruins. The studies offered here examine some of the sometimes strange and unexpected places where Roman presences have manifested themselves during this period. Scholars from several disciplines, including English literature and history of art, as well as classics, bring to bear a variety of approaches on a wide range of images and texts, from statues of Napoleon to Freud's analysis of dreams. Rome's seemingly boundless capacity for multiple, indeed conflicting, signification has made it an extraordinarily fertile paradigm for making sense of - and also for destabilizing - history, politics, identity, memory and desire. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Rome history and empire revisited | 19 |
Granet and Gibbon in dialogue | 35 |
a new Augustus? | 53 |
Translating empire? Macaulays Rome | 70 |
Comparativism and references to Rome in British imperial | 88 |
Decadence and the subversion of empire | 110 |
memory ghosts moonlight and weeds | 125 |
Henry James and the anxiety of Rome | 140 |
Simeon | 157 |
Other editions - View all
Roman Presences: Receptions of Rome in European Culture, 1789-1945, Volume 58 Catharine Edwards No preview available - 2007 |
Common terms and phrases
ancient Rome antiquity appears argued artists aspect associated Augustus authority become Britain British called century Christian church Civil civilisation classical comparative concept concern contemporary critics culture decadence decline described discussion drawings earlier early Eliot emperor English essays European example exhibition expressed Fascist Fascist Italy figures French Granet Greek Ibid idea imagination imperial important included India Italian Italy James language late later Latin less literature London look Macaulay Macaulay's means moral Napoleon narrative nineteenth novel offered painting particular past perhaps period picture played poem political position present question race reference relation remains represented rhetoric role Roman empire romanità Rome's ruins rule scene seems seen sense Service Solomon's statue suggests tion tradition Victorian Virgil writing