Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 15Gale Research Company, 1984 |
From inside the book
Results 1-3 of 82
Page 224
... scenery that a representation would suffer far less by the omission of the scenery than of the dialogue . This is why the manag- er who stages every play in the same way is a bad manager , even when he is an adept at his one way . A ...
... scenery that a representation would suffer far less by the omission of the scenery than of the dialogue . This is why the manag- er who stages every play in the same way is a bad manager , even when he is an adept at his one way . A ...
Page 309
... scenery . While he had as many individual settings ( twelve ) as Kean had had fifty years earlier , still , with the exception of the opening shipwreck sequence , there was a decided difference about the type of setting employed . The ...
... scenery . While he had as many individual settings ( twelve ) as Kean had had fifty years earlier , still , with the exception of the opening shipwreck sequence , there was a decided difference about the type of setting employed . The ...
Page 463
... scenery . To achieve this , many productions have used for the physical setting modifications of the Elizabethan stage , with its several acting areas . Thus attention is cen- tered upon the text rather than the scenery , and the action ...
... scenery . To achieve this , many productions have used for the physical setting modifications of the Elizabethan stage , with its several acting areas . Thus attention is cen- tered upon the text rather than the scenery , and the action ...
Other editions - View all
Common terms and phrases
actors actress appeared Ariel audience beautiful Belarius Brook brothel Caliban cast character Charles Charles Kean Cloten comedy comic costume Covent Garden critic Cymbeline dance daughter director dramatic Drury Lane effect Ellen Terry enchanted essay date feeling Ferdinand Garrick Gielgud Gower Guiderius Helen Faucit Henry Hermione human Iachimo imagination Imogen island John John Gielgud Kean Kean's Kemble King Leontes lines London look Lysimachus Macready Macready's magic Marina masque ment Miranda Miss never Old Vic Paulina Perdita performance Pericles Peter Phelps Pisanio play's plot poetry Posthumus praise present production Prospero Queen review date revival role Roman Royal Shakespeare Company scene scenery scenic seems Shake Shakespeare Shakespeare's plays ship song speak speare's spectacle speech spirit stage Stephano storm story Stratford Strehler's Tempest Terry Thaisa Theatre theatrical thing thou tion Trewin Trinculo William Winter's Tale words young