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Page 18
But in a modern dress production we have no trouble at all in placing the characters . We see in what ways this Florentine Widow differs from the Countess of Rossillion ; the difference is approximately that between a woman who looks ...
But in a modern dress production we have no trouble at all in placing the characters . We see in what ways this Florentine Widow differs from the Countess of Rossillion ; the difference is approximately that between a woman who looks ...
Page 19
There are still people who can be roused to anger by the suggestion that Shakespeare be presented in modern dress . Nor can we lightly dismiss their wrath , for there have been experiments which give weight to their passionate assertion ...
There are still people who can be roused to anger by the suggestion that Shakespeare be presented in modern dress . Nor can we lightly dismiss their wrath , for there have been experiments which give weight to their passionate assertion ...
Page 126
But in a modern dress production we have no trouble at all in placing the characters . We see in what ways this Florentine Widow differs from the Countess of Rousillon ; the difference is approximately that between a woman who looks ...
But in a modern dress production we have no trouble at all in placing the characters . We see in what ways this Florentine Widow differs from the Countess of Rousillon ; the difference is approximately that between a woman who looks ...
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Contents
Alls Well That Ends Well | 1 |
The Comedy of Errors | 135 |
Twelfth Night | 196 |
Copyright | |
1 other sections not shown
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Common terms and phrases
acting actors actress Adriana Aguecheek All's Antipholus audience Barton beautiful Bertram cast century Cesario character clown Comedy of Errors comic costumes Countess court Covent Garden critics Diana director dramatic dress Dromio Drury Lane duction Duke Elizabethan Ephesus Fabian farce Feste Feste's Festival fool funny Gray's Inn Guthrie Hall Helena heroine Illyria Irving John jokes Kemble King Lafeu laugh Lavatch lines London look Malvolio mance Maria Michael Miss modern never Old Vic Olivia Orsino Parolles Peggy Ashcroft performance Peter play's plot praised production of Twelfth review date review of Twelfth revival Richard role romantic Royal Shakespeare Company scene Sebastian seems seen sense Shake Shakespeare Memorial Theatre Sir Andrew Sir Toby Belch song SOURCE speare speare's speech stage Stratford Stratford-upon-Avon Syracuse theatre theatrical tion Trevor Nunn turn Twelfth Night twins Tyrone Guthrie Viola William words young Zoë Wanamaker
Bibliographic information
| Title | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 26 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Publisher | Gale Research Company, 1984 |
| ISBN | 0810389460, 9780810389465 |
| Export Citation | BiBTeX EndNote RefMan |