His arm no more will pillow thee, He is not near, to hush thee, or to save. The moon comes up; the night goes on. When told the hardships thou hadst borne, He looks out on the sea that sleeps in light, He sleeps; but dreams of massy gold Her breath comes deathly cold upon his cheek; He wakes!-But no relentings wake Thy merchant trade had nigh unmanned thee, lad! He cannot look on her mild eye; His speech is short; he wears a surly brow. There's none will hear the shriek. What fear ye now? The workings of the soul ye fear; Ye fear the power that goodness hath; From out the silent void there comes a cry,- Nor dread of ever-during woe, Nor the sea's awful solitude, Can make thee, wretch, thy crime forego. The scud is driving wildly overhead; Moan for the living; moan our sins, The wrath of man more fierce than thine. The crew glide down like shadows. Eye and hand They're gone.-The helmsman stands alone; Hush, hark! as from the centre of the deep, Shrieks, fiendish yells! They stab them in their sleep! The scream of rage, the groan, the strife, The blow, the gasp, the horrid cry, The panting throttled prayer for life, The dying's heaving sigh, The murderer's curse, the dead man's fixed, still On pale, dead men, on burning cheek, On quick, fierce eyes, brows hot and damp, Lee looked. "They sleep so sound," he laughing. said, "They'll scarcely wake for mistress or for maid." A crash! They force the door,-and then From worse than death thy suffering, helpless child! It ceased. With speed o' th' lightning's flash, The waves have swept away the bubbling tide. She's sleeping in her silent cave, Nor hears the loud, stern roar above, She soon has reached! Fair, unpolluted thing! O, this was bitterness! Death came and pressed Why look ye on each other so, And speak no word?-Ay, shake the head! They tell no tales; and ye are all true men ;- "Tis on your souls; it will not out! I mind not blood.-But she,-I cannot tell! "And when it passed there was no tread! Went down these depths? How dark they look, and cold! She's yonder! stop her!-Now!-there!-hold her! hold!" And then the ribald laughed. The jest, Though old and foul, loud laughter drew; And fouler yet came from the rest Of that infernal crew. Note, Heaven, their blasphemy, their broken trust! Now slowly up they bring the dead The hungry waves have seized them one by one; Cries Lee, "We must not be betrayed; Strange words, we're told, an ass once brayed: Out! throw him on the waves alive!-he'll swim; Such sound to mortal ear ne'er came It shook with fear the stoutest frame: As the waves leave, or lift him up, his cry And through the swift waves' yesty crown And fear seems wrath. He now sinks down, Then drifts away; and through the night they hear O, hadst thou known what deeds were done, The good are in their graves; thou canst not cheer "The deed's complete! The gold is ours! Pray, who'd refuse what fortune showers? Must fairly share, you know, what's fairly got? There's song, and oath, and gaming deep, "Lee chents!" cried Jack. Lee struck him to the heart. "That's foul!" one muttered.-"Fool! you take your part! "The fewer heirs, the richer, man! Hold forth your palm, and keep your prate! What matters soon or late?" And when on shore, and asked, Did many die? 66 Near half my crew, poor lads!" he'd say, and sigh. Within the bay, one stormy night, When hailed, the rowing stopped, and all was dark. "Ha! lantern-work!-We'll home! They're playing shark!" Next day at noon, within the town, Thy ship, good Lee?" Not many leagues from shore Our ship by chance took fire."-They learned no more. He and his crew were flush of gold. Remorse and fear he drowns in drink. Save those who dipped their hands in blood with him; Save those who laughed to see the white horse swim. "To-night's our anniversary; And, mind me, lads, we have it kept Their sleep that night would he be now, who slink! Mere mortal man, forbear to seek The secrets of that hell! Their shouts grow loud. "Tis near mid-hour of night: Not bigger than a star it seems. A ship! and all on fire!-hull, yard, and mast. All breathes of terror! men, in dumb amaze, It scares the sea-birds from their nests; Fair Light, thy looks strange alteration wear;- And what comes up above the wave, The waking dead!) There, on the sea he stands,- And on he speeds! His ghostly sides His path is shining like a swift ship's wake. The revel now is high within; They little think, in mirth and din, The Spirit steed sent up the neigh; It rang along the vaulted sky: the shore It rang in ears that knew the sound; And hot, flushed cheeks are blanched with fear. He drops his cup,-his lips are stiff with fright. "I cannot sit;-I needs must go: Strong man! His hoofs upon the door-stone, see, Thy hair pricks up!" O, I must bear Art mad to mount that Horse!" A power within, He's now upon the Spectre's back, Borne by an unseen power, right on he rides, He goes with speed; he goes with dread! The Horse stops short,-his feet are on the verge! And nigh, the tall ship's burning on, Her hot, red flame is beating, all the night, On man and Horse, in their cold, phosphor light. Through that cold light the fearful man How fast he moves the lip! And yet he does not speak, or make a sound! "I look, where mortal man may not,- A dreadful power is mine, which none can know, Thou mild, sad mother, silent moon, Thy last low, melancholy ray Shines towards him. Quit him not so soon! Despair and death are with him; and canst thou, O, thou wast born for worlds of love; Burn softer; earth, in silvery veil, seems heaven. The far, low west is bright no more. Thou living thing,-and dar'st thou come so near But now its lurid fire less fiercely burns: He doth not hear their joyous call; he sees A stranger to earth's beauty, human love,- The sun beats hot upon his head. Of some unearthly horror, all he knows,— The gull has found her place on shore; And all is still but ocean's roar: But, see, he moves, he turns, as asking where Go, get ye home, and end your mirth! They're fled the isle; and o'er the earth As he his door-stone passed, the air blew chill. He ne'er shall hear it more,-more taste his wine! Day came again; and up he rose, No shadowy-coming night, to bring him rest,- He walks within the day's full glare, Terror and madness drive him back to men; Time passes on, and he grows bold; But still at heart there lies a secret fear; For now the year's dread round is drawing near. He laughs, but he is sick at heart; That will be told: it needs no words from thee. Bond-slave of sin! again the light! Nay, thou must ride the Steed to-night! And nights must shine and darken o'er thy head, Again the ship lights all the land; Gone ship and Horse; but Lee's last hope is o'er; His spirit heard that Spirit say, Ay, cling to earth as sailor to the rock! He goes! So thou must loose thy hold, Nor sit thee in the calm Of gentle thoughts, where good men wait their close. Who's sitting on that long, black ledge, So weak and pale? A year and little more, And on the shingle now he sits, And rolls the pebbles 'neath his hands; Then tries each cliff, and cove, and jut, that bounds They ask him why he wanders so, From day to day, the uneven strand! "I wish, I wish that I might go! But I would go by land; And there's no way that I can find; I've tried It brought the tear to many an eye, He shook." You know the Spirit-Horse I ride! He views the ships that come and go, Making it light around them, as they keep Their course right onward through the unsounded deep. And where the far-off sand-bars lift Into the air; then rush to mimic strife: But not to Lee. He sits alone; That asking eye. O, how his worn thoughts crave The rocks are dripping in the mist Lee hearkens to their voice.—“ I hear, I hear Lee kneels, but cannot pray.-Why mock him so! And he must listen till the stars grow dim, Should bind the soul with bands of fear; But sin hath broke the world's sweet peace,-un strung The harmonious chords to which the angels sung. In thick dark nights he'd take his seat With savage roar, then pause and gather strength, But he no more shall haunt the beach, Watching the swaying weeds:-another day, To-night the charmed number's told. way. So hears his soul, and fears the gathering night; Again he sits in that still room; Weakened with fear, lone, haunted by remorse, Horse. Not long he waits. Where now are gone Of airy glory?—Sudden darkness fell; The darkness, like a dome of stone, All but the ocean's dull, low moan. "Tis close at hand; for there, once more, And there he stands! His pale sides flame. He treads the waters as a solid floor; They're met.-"I know thou com'st for me," It was not I alone that did the deed!"— Lee cannot turn. There is a force "O, spare me," cries the wretch," thou fearful One!" "The time is come,-I must not go alone." "I'm weak and faint. O, let me stay!" Nay, murderer, rest nor stay for thee!" The Horse and man are on their way; Hard breathes the Spectre through the silent night; He's on the beach; but stops not there; Holds him by fearful spell; he cannot leap: It lights the sea around their track,- The earth has washed away its stain; The sealed-up sky is breaking forth, Mustering its glorious hosts again, From the far south and north; The climbing moon plays on the rippling sea. -O, whither on its waters rideth Lee? EDMUND KEAN'S LEAR-FROM THE PAPER ON KEAN'S ACTING. It has been so common a saying, that Lear is the most difficult of characters to personate that we had taken it for granted no man could play it so as to satisfy us. Perhaps it is the hardest to represent. Yet the part which has generally been supposed the most difficult, the insanity of Lear, is scarcely more so than that of the choleric old king. Inefficient rage is almost always ridiculous; and an old man, with a broken-down body and a mind falling in pieces from the violence of its uncontrolled passions, is in constant danger of exciting, along with our pity, a feeling of contempt. It is a chance matter to which we may be most moved. And this it is which makes the opening of Lear so difficult. We may as well notice here the objection which some make to the abrupt violence with which Kean VOL. II.-7 begins in Lear. If this be a fault, it is Shakespeare, and not Kean, who is to blame; for, no doubt, he has conceived it according to his author. Perhaps, however, the mistake lies in this case, where it does in most others, with whose who put themselves into the seat of judgment to pass upon great men. In most instances, Shakespeare has given us the gradual growth of a passion, with such little accompaniments as agree with it, and go to make up the whole man. In Lear, his object being to represent the beginning and course of insanity, he has properly enough gone but a little back of it, and introduced to us an old man of good feelings enough, but one who had lived without any true principle of conduct, and whose unruled passions had grown strong with age, and were ready, upon a disappointment, to make shipwreck of an intellect never strong. To bring this about, he begins with an abruptness rather unusual; and the old king rushes in before us, with his passions at their height, and tearing him like fiends. Kean gives this as soon as the fitting occasion offers itself. Had he put more of melancholy and depression, and less of rage into the character, we should have been much puzzled at his so suddenly going mad. It would have required the change to have been slower; and besides, his insanity must have been of another kind. It must have been monotonous and complaining, instead of continually varying; at one time full of grief, at another playful, and then wild as the winds that roared about him, and fiery and sharp as the ightning that shot by him. The truth with which he conceived this was not finer than his execution of it. Not for a moment, in his utmost violence, did he suffer the imbecility of the old man's anger to touch upon the ludicrous, when nothing but the justest conception and feeling of the character could have saved him from it. It has been said that Lear is a study for one who would make himself acquainted with the workings of an insane mind. And it is hardly less true, that the acting of Kean was an embodying of these workings. His eye, when his senses are first forsaking him, giving an inquiring look at what he saw, as if all before him was undergoing a strange and bewildering change which confused his brain,-the wandering, lost motions of his hands, which seemed feeling for something familiar to them, on which they might take hold and be assured of a safe reality,-the under monotone of his voice, as if he was questioning his own being, and what surrounded him,-the continuous, but slight, oscillating motion of the body, -all these expressed, with fearful truth, the bewildered state of a mind fast unsettling, and making vain and weak efforts to find its way back to its wonted There was a childish, feeble gladness in the eye, and a half piteous smile about the mouth, at times, which one could scarce look upon without tears. As the derangement increased upon him, his eye lost its notice of objects about him, wandering over things as if he saw them not, and fastening upon the creatures of his crazed brain. The helpless and delighted fondness with which he clings to Edgar as an insane brother, is another instance of the justness of Kean's conceptions. Nor does he lose the air of insanity, even in the fine moralizing parts, and where he inveighs against the corruptions of the world: There is a madness even in his reason. reason. The violent and immediate changes of the passions in Lear, so difficult to manage without jarring upon us, are given by Kean with a spirit and with a fitness to nature which we had hardly thought possible. These are equally well done both before and after the loss of reason. The most difficult scene, |