Putting Popular Music in Its PlaceThis volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, and the impact of modernist modes of thought on writing about popular music. |
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Page vii
... Gershwin 270 306 14 A blues for the ages 325 15 Graceland revisited 336 16 Dvořák in America : nationalism , racism , and national race 344 78 17 The last minstrel show ? 354 18 The Role of Rock , a review 367 19 Genre , performance ...
... Gershwin 270 306 14 A blues for the ages 325 15 Graceland revisited 336 16 Dvořák in America : nationalism , racism , and national race 344 78 17 The last minstrel show ? 354 18 The Role of Rock , a review 367 19 Genre , performance ...
Page ix
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Contents
Rock n roll in a very strange society | 191 |
AfricanAmerican music South Africa and apartheid | 261 |
Separate | 271 |
13 | 277 |
14 | 312 |
A blues for the ages | 325 |
15 | 336 |
nationalism racism | 344 |
78 | 354 |
The Role of Rock a review | 367 |
Genre performance and ideology in the early songs | 370 |
John Cage revisited | 381 |
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Common terms and phrases
African popular music Afrikaans Afro-American American music areas audience authentic began black American black population black South Africans blues broadcast Chinese classical music commercial composers composition concerned contemporary context CPBS critical culture dance decades dissemination Drum early ethnic European folk music genre George Gershwin Graceland groups Ibid ideology important instruments Irving Berlin jazz jive Johannesburg John Cage language listeners literature live mass media Mbaqanga melody minstrel show modern musical style musicians musicology non-white opera orchestra patterns performers phonograph discs piano pieces played political popular music popular song postmodern production programs racial Radio Bantu radio service Radio Shanghai Radio Zulu ragtime recent repertory rhythm rock music role roll SABC Separate Development singers singing social society soul sound South Africa stations strategy structure success television Tin Pan Alley townships United urban various vocal Western writing York Zulu