Great English Painters |
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Page 6
... gave lustre to the arms of England . A spirit for martial adventure , tempered with high feeling and romantic generosity , spread among the nobles . He was accounted of little note in the land who preferred domestic repose to active war ...
... gave lustre to the arms of England . A spirit for martial adventure , tempered with high feeling and romantic generosity , spread among the nobles . He was accounted of little note in the land who preferred domestic repose to active war ...
Page 7
... gave way to orders for gilded armour , painted shields , and emblazoned banners - St . Edward was less in request than St. George . No works of art were produced in this period which induce me to lament their loss , and the oblivion ...
... gave way to orders for gilded armour , painted shields , and emblazoned banners - St . Edward was less in request than St. George . No works of art were produced in this period which induce me to lament their loss , and the oblivion ...
Page 11
... gave an air of social snugness which has deserted some of our modern mansions . At first the figures and groups , which rendered this manufacture popular , were copies of favourite paintings ; but , as taste improved and skill increased ...
... gave an air of social snugness which has deserted some of our modern mansions . At first the figures and groups , which rendered this manufacture popular , were copies of favourite paintings ; but , as taste improved and skill increased ...
Page 18
... gave them to the Earl of Arundel ; they suffered something in the vicissitudes of the civil war , and at last found their way back , it is not remembered how , into the Royal Gallery . " A great part of these drawings , " observes ...
... gave them to the Earl of Arundel ; they suffered something in the vicissitudes of the civil war , and at last found their way back , it is not remembered how , into the Royal Gallery . " A great part of these drawings , " observes ...
Page 27
... gave by his works a visible impulse to art . Frigid imitation , and cold and mechanical covering , began to rise into boldness and varied richness ; we had no longer forms without freedom , and faces without life . We have at present in ...
... gave by his works a visible impulse to art . Frigid imitation , and cold and mechanical covering , began to rise into boldness and varied richness ; we had no longer forms without freedom , and faces without life . We have at present in ...
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Common terms and phrases
Academy admiration afterwards Allan Cunningham Allan Ramsay Analysis of Beauty appeared artist beauty Blake Burke called character church colour compositions copied Correggio designs drawing eminent employed England English engraving ERNEST RHYS excellence exhibition fame fancy father favourite feeling figures fortune friends Gainsborough gallery Garrick gave genius grace guineas hand happy Harlot's Progress Hogarth honour humour imagination John Gonson Johnson Joseph Skipsey kind king Kneller labour lady landscape living London look Lord manner masters merit Michael Angelo mind nature never noble North Briton Northcote observed obtained original painter painting Paul Veronese pencil person poet poetic poetry portrait portrait-painting Preraphaelite prints productions Rake's Progress Raphael remarkable reputation Reynolds royal Rubens satire says scene seems Sir Joshua sketches skill spirit splendour style talents taste Thicknesse things Thornhill thought tion Titian truth Vandyke verse Walpole Wilkes William Hogarth Wilson worthy young
Popular passages
Page 309 - Little Lamb, who made thee ? Dost thou know who made thee ? Gave thee life and bid thee feed, By the stream and o'er the mead ? Gave thee clothing of delight, Softest clothing, woolly, bright ? Gave thee such a tender voice, Making all the vales rejoice? Little Lamb, who made thee ? Dost thou know who made thee ? Little Lamb, I'll tell thee, Little Lamb, I'll tell thee: He is called by thy name, For He calls Himself a Lamb. He is meek, and He is mild; He became a little child. I a child, and thou...
Page 277 - What the hammer? What the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And water'd heaven with their tears, Did He smile His work to see? Did He who made the lamb make thee...
Page 277 - TIGER! Tiger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder, and what art, Could twist the sinews of thy heart?
Page 276 - Whether in Heaven ye wander fair, Or the green corners of the earth, Or the blue regions of the air Where the melodious winds have birth...
Page 281 - PIPING down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me: "Pipe a song about a Lamb!" So I piped with merry cheer. "Piper, pipe that song again,
Page 210 - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless, and grand : His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Page 281 - Pipe a song about a Lamb!" So I piped with merry cheer. "Piper, pipe that song again"; So I piped: he wept to hear. "Drop thy pipe, thy happy pipe; Sing thy songs of happy cheer!" So I sang the same again, While he wept with joy to hear. "Piper, sit thee down and write In a book that all may read.
Page 209 - The only dedication I ever made was to my brother, because I loved him better than most other men. He is since dead. Permit me to inscribe this Poem to you.
Page xxxiv - The use of this feigned history hath been to give some shadow of satisfaction to the mind of man in those points wherein the nature of things doth deny it, the world being in proportion inferior to the soul ; by reason whereof there is, agreeable to the spirit of man, a more ample greatness, a more exact goodness, and a more absolute variety, than can be found in the nature of things.
Page 302 - So the Lord blessed the latter end of Job more than the beginning...