Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 5Gale Research Company, 1984 |
From inside the book
Results 1-3 of 81
Page 150
... feeling or illusion of complete control . By this I mean that the motive for Rosalind's particular style of courting Orlando really has nothing to do with Orlando himself , nor with Rosalind's feelings toward him ; Rosalind does not ...
... feeling or illusion of complete control . By this I mean that the motive for Rosalind's particular style of courting Orlando really has nothing to do with Orlando himself , nor with Rosalind's feelings toward him ; Rosalind does not ...
Page 436
... feelings of humanity ; and the feeling which pervades the drama is , in very reality , that which occupies and possesses the human soul when under its influ- ence . Shakspeare omits , adds , and alters nothing ; he brings it on the ...
... feelings of humanity ; and the feeling which pervades the drama is , in very reality , that which occupies and possesses the human soul when under its influ- ence . Shakspeare omits , adds , and alters nothing ; he brings it on the ...
Page 556
... feelings are touched , torrents follow . . . . It is in this context of grotesque verbal posturing , where convulsions of speech coalesce with tantrums of feeling , that Mercutio's words on death acquire a quiet and sustained eloquence ...
... feelings are touched , torrents follow . . . . It is in this context of grotesque verbal posturing , where convulsions of speech coalesce with tantrums of feeling , that Mercutio's words on death acquire a quiet and sustained eloquence ...
Contents
Preface | 7 |
The Merry Wives of Windsor | 328 |
Romeo and Juliet | 409 |
Copyright | |
2 other sections not shown
Other editions - View all
Common terms and phrases
action Agincourt argues audience Audrey banished Bardolph battle battle of Agincourt brother Celia character Chorus claim comedy comic contrast conventional Corin court critic disguise dramatic dramatist Duke Senior E. K. Chambers Elizabethan England English epic Epilogue essay date Falstaff father feeling Fluellen following excerpt fool Ford Forest of Arden France French Ganymede Harfleur Harry heart Henry Henry's Hermann Ulrici hero Holinshed human humor ideal Jaques Jaques's king king's lovers melancholy Merchant of Venice Merry Wives Midsummer Night's Dream mind Mistress moral nature night Oliver Orlando passion pastoral Phebe Pistol play play's plot poet political Prince prose Richard II role romantic Rosalind Salic law satire says scene sense Shake Shakespeare Shakspere Silvius social soldiers speak speare speare's speech spirit stage theme things thou Touchstone Touchstone's Twelfth Night verse William William Shakespeare Wives of Windsor wooing words