Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 5Gale Research Company, 1984 |
From inside the book
Results 1-3 of 86
Page 294
... audience , the Chorus to Henry V is absolutely obsequious to the " gentles all " whom he addresses and astonishingly apol- ogetic about the limitations of the playwright , the play , and the company . ( p . 186 ) Shakespeare , I think ...
... audience , the Chorus to Henry V is absolutely obsequious to the " gentles all " whom he addresses and astonishingly apol- ogetic about the limitations of the playwright , the play , and the company . ( p . 186 ) Shakespeare , I think ...
Page 305
... audience's recognition of the emergence of old problems in a new guise . By the time the cycle reached Henry V , the recurrent and interlocking set of problems had become so complex that a reflective audience must have found it ...
... audience's recognition of the emergence of old problems in a new guise . By the time the cycle reached Henry V , the recurrent and interlocking set of problems had become so complex that a reflective audience must have found it ...
Page 385
... audience has taken the wrong . Caius and Slender abruptly remind us that Anne is a boy - a boy - actor - and the paradox strikes us anew as Anne and Fenton enter immediately after Caius's and Slen- der's speeches . Both are boys , but ...
... audience has taken the wrong . Caius and Slender abruptly remind us that Anne is a boy - a boy - actor - and the paradox strikes us anew as Anne and Fenton enter immediately after Caius's and Slen- der's speeches . Both are boys , but ...
Contents
Preface | 7 |
The Merry Wives of Windsor | 328 |
Romeo and Juliet | 409 |
Copyright | |
2 other sections not shown
Other editions - View all
Common terms and phrases
action Agincourt argues audience Audrey banished Bardolph battle battle of Agincourt brother Celia character Chorus claim comedy comic contrast conventional Corin court critic disguise dramatic dramatist Duke Senior E. K. Chambers Elizabethan England English epic Epilogue essay date Falstaff father feeling Fluellen following excerpt fool Ford Forest of Arden France French Ganymede Harfleur Harry heart Henry Henry's Hermann Ulrici hero Holinshed human humor ideal Jaques Jaques's king king's lovers melancholy Merchant of Venice Merry Wives Midsummer Night's Dream mind Mistress moral nature night Oliver Orlando passion pastoral Phebe Pistol play play's plot poet political Prince prose Richard II role romantic Rosalind Salic law satire says scene sense Shake Shakespeare Shakspere Silvius social soldiers speak speare speare's speech spirit stage theme things thou Touchstone Touchstone's Twelfth Night verse William William Shakespeare Wives of Windsor wooing words