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was appropriated. It was a war, not against the living, but against graven images, nor was the sentiment which prompted the onslaught in the least commingled with a desire of plunder. The principal citizens of Antwerp, expecting every instant that the storm would be diverted from the ecclesiastical edifices to private dwellings, and that robbery, rape, and murder would follow sacrilege, remained all night expecting the attack, and prepared to defend their hearths, even if the altars were profaned. The precaution was needless. It was asserted by the Catholics that the confederates, and other opulent Protestants, had organized this company of profligates for the meagre pittance of ten stivers a day. On the other hand, it was believed by many that the Catholics had themselves plotted the whole outrage in order to bring odium upon the · Reformers. Both statements were equally unfounded. The task was most thoroughly performed, but it was prompted by a furious fanaticism, not by baser motives.

Two days and nights longer the havoc raged unchecked through all the churches of Antwerp and the neighbouring villages. Hardly a statue or picture escaped destruction. Yet the rage was directed exclusively against stocks and stones. Not a man was wounded nor a woman outraged. Prisoners, indeed, who had been languishing hopelessly in dungeons were liberated. A monk, who had been in the prison of the Barefoot Monastery for twelve years, recovered his freedom. Art was trampled in the dust, but humanity deplored no victims.

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[Mr. Maturin, celebrated alike as a preacher, novelist, and dramatist, was a clergyman of the Established Church, born in Dublin, and educated in Trinity College of that city. On entering into orders he obtained the curacy of St. Peter's. His first

tragedy, "Bertram," is a wild, imaginative, but very powerful production. It was performed at Drury Lane, through the influence of Sir Walter Scott and Lord Byron, with doubtful success, but it established its author's literary reputation. Maturin, unfortuuately, lived beyond his means, and was never free from embarrassment; notwithstanding he pursued his literary career with avidity. His first most popular novels were "The Fatal Revenge," "The Wild Irish Boy," and "The Milesian Chief." He was also the author of "Melmoth, the Wanderer," and "Woman;" of "The Uni verse, a poem; "Manuel" and "Fredolpho," tragedies; and of six "Controversial Sermons," published in 1824, which prove him to have been a well-read scholar, as he is said to have been an elegant and energetic preacher. He died in 1825.]





An Apartment in the Convent a couch, R.C.

The STRANGER discovered sleeping on the couch, and the PRIOR (L.) watching him.

Prior. He sleeps-if it be sleep; this starting trance, Whose feverish tossings and deep-muttered groans, Do prove the soul shares not the body's rest.

(Hanging over him.) How the lip works! how the bare teeth do grind, And beaded drops course down his writhen brow! I will awake him from this horrid trance;

This is no natural sleep. Ho! wake thee, stranger! Str. What wouldst thou have? my life is in thy power.

Prior. Most wretched man, whose fears alone betraythee

What art thou ?-speak!

Str. Thou sayest I am a wretch,

And thou sayest true-these weeds do witness it— These wave-worn weeds-these bare and bruised limbs

What wouldst thou more? I shrink not from the question.

I am a wretch, and proud of wretchedness,
'Tis the sole earthly thing that cleaves to me.
Prior. Lightly I deem of outward wretchedness,
For that hath been the lot of blessed saints:

But, in their dire extreme of outward wretchedness, Full calm they slept in dungeons and in darkness,— Such hath not been thy sleep.

Str. Didst watch my sleep?

But thou couldst gain no secret from my ravings. Prior. Thy secrets! wretched man, I reck not of them;

But I adjure thee, by the church's power,

(A power to search man's secret heart of sin,)
Show me thy wound of soul.

Weep'st thou the ties of nature or of passion
Torn by the hand of Heaven?

Oh, no! full well I deemed no gentler feeling
Woke the dark lightning of thy withering eye.
What fiercer spirit is it tears thee thus?
Show me the horrid tenant of thy heart!
Or wrath, or hatred, or revenge, is there-

(The stranger suddenly starts from the couch, raises
his clasped hands, and comes forward, R.)

Str. I would consort with mine eternal enemy, To be revenged on him!

Prior. Art thou a man, or fiend, who speakest thus?
Str. I was a man; I know not what I am--
What others' crimes and injuries have made me--
Look on me! What am I? (Advances, c.)
Prior. (Retreating to L. corner.) I know not.
Str. I marvel that thou say'st it,

For lowly men full oft remember those
In changed estate, whom equals have forgotten.
A passing beggar hath remembered me,

When with strange eyes my kinsmen looked on me.
I were no sullied weeds on that proud day

When thou, a barefoot monk, didst bow full low
For alms, my heedless hand hath flung to thee.
Thou dost not know me! (Approaching him.)

Prior. Mine eyes are dim with age-but many thoughts

Do stir within me at thy voice.

Str. List to me, monk; it is thy trade to talk, As reverend men do use in saintly wise,

Of life's vicissitudes and vanities.

Hear one plain tale that doth surpass all saws

Hear it from me-Count Bertram-ay, Count Ber


The darling of his liege and of his land,
The army's idol, and the council's head-

Whose smile was fortune, and whose will was law—
Doth bow him to the Prior of St. Anselm

For water to refresh his parched lip,

And this hard-matted couch to fling his limbs on.
Prior. Good Heaven and all its saints!

Bertram. Wilt thou betray me?

Prior. Lives there the wretch beneath these walls to do it?

Sorrow enough hath bowed thy head already,

Thou man of many woes.

Far more I fear lest thou betray thyself.

Hard by do stand the halls of Aldobrand,

(Thy mortal enemy and cause of fall,)

Where ancient custom doth invite each stranger,
Cast on this shore, to sojourn certain days,
And taste the bounty of the castle's lord.
If thou goest not, suspicion will arise;

And if thou dost (all changed as thou art)

Some desperate burst of passion will betray thee,

And end in mortal scathe

(A pause.)

Why dost thou gaze on with such fixed eyes?
Ber. What sayest thou?

I dreamed I stood before Lord Aldobrand

Impenetrable to his searching eyes

And I did feel the horrid joy men feel

Measuring the serpent's coil, whose fangs have stung


Scanning with giddy eye the air-hung rock,

From which they leapt and live by miracle ;-
To see that horrid spectre of my thoughts
In all the stern reality of life-

To mark the living lineaments of hatred,

And say, this is the man whose sight should blast me; Yet in calm dreadful triumph still gaze on:

It is a horrid joy. (Crosses to L.)

Prior. Nay, rave not thus,

Thou wilt not meet him; many a day must pass
Till from Palermo's walls he wend him homeward,
Where now he tarries with St. Anselm's knights.
His dame doth dwell in solitary wise,

Few are the followers in his lonely halls

Why dost thou smile in that most horrid guise?
Ber. (Repeating.) His dame doth dwell alone. Per-
chance his child-

Oh! no, no, no! it was a damned thought.
Prior. I do but indistinctly hear thy words,
But feel they have some fearful meaning in them.
Ber. Oh, that I could but mate him in his might!
Oh, that we were on the dark wave together,

(Crosses to R.)
With but one plank between us and destruction,
That I might grasp him in these desperate arms,
And plunge with him amid the weltering billows
And view him gasp for life!-and-

Ha ha!-I see him struggling!

I see him!-ha! ha! ha! (A frantic laugh.)
Prior. Oh, horrible!

Help!-Help to hold him, for my strength doth fail.

Enter MONK, L.

Monk. The lady of St. Aldobrand sends greetingPrior. Oh, art thou come; this is no time for greeting

Help-bear him off-thou see'st his fearful state.

[Exeunt, bearing off BERTRAM, R.

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