Lucifer. No! by heaven, which He Of worlds and life, which I hold with him—No! And the interminable realms of space, He as a conqueror will call the conquer'd Cain. But few! and some of those but bitter. With me, then, to thine earth, and try the rest ACT III. SCENE I. The Earth near Eden, as in Act I. Enter CAIN and ADAH. Adah. Hush! tread softly, Cain. Cain. Back I will; but wherefore? 1 O["Whatever we enjoy is purely a free gift from our Creator; but that we enjoy no more, can never sure be deemed an injury, or a just reason to question his infinite benevolence. All our happiness is owing to his goodness; but that it is no greater, is owing only to ourselves; that is, to our not having any inherent right to any happiness, or even to any existence at all." JENYNS.] [As to the question of the origin of evil, Lord Byron has neither thrown any new light upon it, nor darkened the previous knowledge which we possessed It remains just where it was, in its mighty, unfathomed obscurity. His Lordship may, it is true, have recapitulated some of the arguments with a more concise and cavalier air than the old schoolmen or fathers; but the result is the same. There is no poetical road to metaphysics. In one view, however, which our rhapsodist has taken of the subject, we conceive he has done well. He represents the temptations held out to Cain by Satan, as constantly succeeding and corresponding to some previous discontent and gloomy disposition in his Cain. You have said well; I will contain My heart till then. He smiles, and sleeps! - Sleep on Of a world scarce less young: sleep on, and smile! Adah. Dear Cain! Nay, do not whisper o'er our son Cain. Where? Adah. Where'er thou wilt: where'er thou art, The want of this so much regretted Eden. Have I not thee, our boy, our sire, and brother, And Zillahour sweet sister, and our Eve, To whom we owe so much besides our birth? Cain. Yes-death, too, is amongst the debts we owe her. [hence, Adah. Cain! that proud spirit, who withdrew thee Here, or feel not own mind; so that Lucifer is little more than the personified demon of his imagination: and further, the acts of guilt and folly into which Cain is hurried are not treated as accidental, or as occasioned by passing causes, but as springing from an internal fury, a morbid state akin to phrensy, a mind dissatisfied with itself and all things, and haunted by an insatiable, stubborn longing after knowledge rather than happiness, and a fatal proneness to dwell on the evil side of things rather than the good. We here see the dreadful consequences of not curbing this disposition (which is, after all, perhaps, the sin that most easily besets humanity,) exemplified in a striking point of view; and we so far think, that the moral to be derived from a perusal of this Mystery is a valuable one. JEFFREY.] 3 [The censorious may say what they will, but there are speeches in the mouth of Cain and Adah, especially regarding their child, which nothing in English poetry but the "woodnotes wild" of Shakspeare ever equalled. -SIR EGERTON BRYDGES.] Thou know'st Even for our parents' error. Cain. Cain. Why, so say I-provided that one victim Cain. Adah. Then leave me ! Though thy God left thee. Cain. Say, what have we here? [The third Act shows us Cain gloomily lamenting over the future fortunes of his infant son, and withstanding all the consolations and entreaties of Adah, who is anxious to soften him to the task of submission and to a participation in the Cain. And how knew he, that I would be so ready Adah. Surely, 't is well done. Cain. One altar may suffice; I have no offering. Adah. The fruits of the earth, the early, beautiful Cain. I have toil'd, and till'd, and sweaten in the sun And that our little rosy sleeper there Might never taste of death nor human sorrow, Adah. Oh, do not say so! Where were then the joys, Cain. In the clear waters, when they are gentle, and Adah. Alas! thou sinnest now, my Cain: thy words Look! how he laughs and stretches out his arms, Sound impious in mine ears. And opens wide his blue eyes upon thine, To hail his father; while his little form Cain. Bless thee, boy! sacrifice which his brother is about to offer. Here are some passages of no common beauty. That which strikes us most is when the parents are hanging over their sleeping boy,HEBER.] Cain. It means- I pray thee, leave me. Abel. Not till we have pray'd and sacrificed together. Cain. Abel, pray thee, sacrifice aloneJehovah loves thee well. Abel. Both well, I hope. Cain. But thee the better: I care not for that; Abel. But I have ne'er Cain. Cuin. I have no flocks; I am a tiller of the ground, and must Yield what it yieldeth to my toil-its fruit: [He gathers fruits. Behold them in their various bloom and ripeness. [They dress their altars, and kindle a flume upon them. Abel. My brother, as the elder, offer first Thy prayer and thanksgiving with sacrifice. Cain. No-I am new to this; lead thou the way, And I will follow-as I may. Abel (kneeling). Oh God! And spared, despite our father's sin, to make Compared with our great crimes: - Sole Lord of light! Without whom all were evil, and with whom Nothing can err, except to some good end Cain (standing erect during this speech). Spirit! In sanguinary incense to thy skies; Or if the sweet and blooming fruits of earth, Cain. Why so? Their seed will bear fresh fruit there ere the summer: Abel. Think not upon my offering's acceptance, But make another of thine own before It is too late. Cain. Abei (rising). Cain what meanest thou? Abel (opposing him). Thou shalt not:-add not impious works to impious Words! let that altar stand-'tis hallow'd now By the immortal pleasure of Jehovah, In his acceptance of the victims. Cain. His! His pleasure! what was his high pleasure in [It is evident that Lord Byron had studied his subject very deeply; and, though he has varied a little from, or gone a little beyond, the letter of Scripture, which is very concise, yet he has apparently entered with great exactness into the minds of Cain and Abel in this most interesting scene: and were it allowable to ascribe to the author of a dramatic work the principles or feelings of all or any of his characters, except as adopting them for his particular purpose, one would be at a loss to say, whether Lord Byron ought most to be identified with Cain, or with Abel; so appropriately has he maintained the character of each. GRANT'S" Notes on Cain," p. 401.] 2 [As a whole, this scene is heavy and clumsily managed. It can hardly fail to strike the reader as a detect in poetry, no less than a departure from history, that the event which is the What? why so pale ? [A long pause. Looking slowly round. Where am I? alone! Where's Abel? where Cain ? Can it be that I am he? My brother, Awake! why liest thou so on the green earth? "Tis not the hour of slumber; What, hast thou!-thou wert full of life this morn! Abel! I pray thee, mock me not! I smote Too fiercely, but not fatally. Ah, why Wouldst thou oppose me? This is mockery; And only done to daunt me:'t was a blowAnd but a blow. Stir-stir-nay, only stir! Why, so that's well! thou breath'st! breathe Oh, God! Oh, God! [upon me! Abel (very faintly). What's he who speaks of God? Cain. Thy murderer. Abel. Then may God forgive him! Cain, Comfort poor Zillah:- she has but one brother Now. [ABEL dies, 2 catastrophe of the drama, is no otherwise than incidentally we may say accidentally, produced by those which precede it. Cain, whose whole character is represented Scripture as envious and malicious, rather than impious; - this Cain, as painted by Lord Byron, has no quarrel with his brother whatever, nor, except in a single word, does he intimate any jealousy of him. Two acts, and half the third, are passed without our advancing a single step towards the conclusion; and Abel at length falls by a random blow given in a struggle of which the object is not his destruction, but the overthrow of Jehovah's altar. If we could suppose a reader to sit down to the perusal of the drama in ignorance of its catastrophe, he could scarcely be less surprised by its termination in such a stroke of chance-medley, than if Abel had been made to drop down in an apoplexy, or Cain to die of grief over his body. HEBER.] SCENE I. [wet; Cain. And I none!-Who makes me brotherless? His eyes are open! then he is not dead! Death is like sleep; and sleep shuts down our lids. His lips, too, are apart; why then he breathes! And yet I feel it not. His heart!- his heart!-No!no! Let me see, doth it beat? methinks This is a vision, else I am become The native of another and worse world. The earth swims round me : - what is this? -'tis [Puts his hand to his brow, and then looks at it. And yet there are no dews! "Tis blood-my bloodMy brother's and my own! and shed by me! Then what have I further to do with life, Since I have taken life from my own flesh ? But he can not be dead! - Is silence death? No; he will wake: then let me watch by him. Life cannot be so slight, as to be quench'd Thus quickly! - he hath spoken to me since -No: - My brother! What shall I say to him? He will not answer to that name; for brethren Smite not each other. Yet — yetOh! for a word more of that gentle voice, That I may bear to hear my own again! Enter ZILLAH. Zillah. I heard a heavy sound; what can it be? 'Tis Cain; and watching by my husband. What Dost thou there, brother? Doth he sleep? Oh, heav'n! [no ! What means this paleness, and yon stream? -No, It is not blood; for who would shed his blood? Abel! what's this?-who hath done this? He moves not; He breathes not: and his hands drop down from mine Thou wert the stronger, and should'st have stepp'd in [Exit ZILLAH, calling on her Parents, &c. Cain (solus). And who hath brought him there ? -I-who abhor The name of Death so deeply, that the thought Had madden'd me; - but he shall ne'er awake! Who walks not with Jehovah ? or some wild May all his days be desolate. speak to me. Adah. Enter ADAM, EVE, ADAH, and ZILLAH. Adam. A voice of woe from Zillah brings me here. Eve. Ah! a livid light Breaks through, as from a thunder-cloud! yon brand, Adam. What do I see?-'T is true! - My son !-my son! Speak, my son ! I see it now - he hangs his guilty head, Adah. Mother, thou dost him wrong Eve. Hear, Jehovah ! May the eternal serpent's curse be on him! For he was fitter for his seed than ours. May Adam. Adah. Speak, Cain! and say it was not thou! [The three last lines were not in the original MS. In forwarding them to Mr. Murray, to be added to Eve's speech, Lord Byron says "There's as pretty a piece of imprecation Hold! Curse him not, mother, for he is thy sonCurse him not, mother, for he is my brother, And my betroth'd. Eve. He hath left thee no brother. Zillah no husband-me no son!- for thus I curse him from my sight for evermore! All bonds I break between us ! as he broke That of his nature, in yon-Oh death! death! Why didst thou not take me, who first incurr'd thee? Why dost thou not so now? Adam. Eve! let not this, In such sort as may show our God, that we Eve (pointing to Cain). His will!! the will of yon incarnate spirit Of death, whom I have brought upon the earth A grave! the sun his light! and heaven her God! 1 [Exit EvE. for you, when joined to the lines already sent, as you may wish to meet with in the course of your business. But don't forget the addition of these three lines, which are clinchers to Eve's Z |