Which follows the decline of day, As twilight melts beneath the moon away. 1 II. But it is not to list to the waterfall And it is not to gaze on the heavenly light Tis not for the sake of its full-blown flower; She listens - but not for the nightingale — Though her ear expects as soft a tale. There glides a step through the foliage thick, And her cheek grows pale-and her heart beats quick. III. And what unto them is the world beside, Of aught around, above, beneath; They only for each other breathe; Their very sighs are full of joy So deep, that did it not decay, That happy madness would destroy The hearts which feel its fiery sway: Of guilt, of peril, do they deem Or thought how brief such moments last? We know such vision comes no more. IV. With many a lingering look they leave The spot of guilty gladness past: And though they hope, and vow, they grieve, As if that parting were the last. The frequent sigh-the long embraceThe lip that there would cling for ever, While gleams on Parisina's face The Heaven she fears will not forgive her, As if each calmly conscious star Beheld her frailty from afar— The frequent sigh, the long embrace, Yet binds them to their trysting-place. But it must come, and they must part In fearful heaviness of heart, With all the deep and shuddering chill Which follows fast the deeds of ill. V. And Hugo is gone to his lonely bed, To covet there another's bride; But she must lay her conscious head A husband's trusting heart beside. The lines contained in this section were printed as set to music some time since, but belonged to the poem where they And still, and pale, and silently Did Parisina wait her doom; Glanced gladness round the glittering room, Where high-born men were proud to wait — Where Beauty watch'd to imitate Her gentle voice-her lovely mien- The graces of its queen: With downcast eyes and knitting brow, And folded arms, and freezing air, Her knights and dames, her court-is there : Had died or gain'd her liberty; The minion of his father's bride,- And he for her had also wept, But for the eyes that on him gazed: His sorrow, if he felt it, slept; Stern and erect his brow was raised. [A sagacious writer gravely charges Lord Byron with paraphrasing, in this passage, without acknowledgment, Mr. Burke's well-known description of the unfortunate Marie Antoinette. "Verily," says Mr. Coleridge," there be amongst us a set of critics, who seem to hold, that every Whate'er the grief his soul avow'd, And hers,-oh, hers! he dared not throw XII. And Azo spake : -"But yesterday Ere day declines, I shall have none. My life must linger on alone; Well, let that pass, there breathes not one Who would not do as I have done : Those ties are broken-not by me; Let that too pass; the doom 's prepared! Hugo, the priest awaits on thee, And then-thy crime's reward! Away! address thy prayers to Heaven, Before its evening stars are met- There is no spot where thou and I Go! woman of the wanton breast; XIII. And here stern Azo hid his face- "It is not that I dread the death- Thou gav'st, and may'st resume my breath, A gift for which I thank thee not; Nor are my mother's wrongs forgot, Her slighted love and ruin'd name, Her offspring's heritage of shame; possible thought and image is traditional; who have no notion that there are such things as fountains in the world, small as well as great; and who would therefore charitably derive every rill they behold flowing, from a perforation made in some other man's tank."] |